Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los ... See full summary »
Efrem Zimbalist Jr.,
Sam McCloud is a rustic country sheriff from a rural part of the United States. He travels to the big city and joins the police force, using his country ways and laid-back approach to nab the bad guys.
Chicago, 1930, time of the prohibition. And it is the great time for the organized crime, the so called Mafia. One of the big bosses is Al Capone. He is the best know but at least, he was only one in a dirty game of sex, crime and corruption. People are willing to pay any price to drink alcohol, and sometimes it is their life they have to pay with. Special agent Eliot Ness and his team are trying to defeat the alcohol Mafia, but in this job, you don't have any friends. Written by
Florian Baumann <firstname.lastname@example.org>
To counter some of the claims that the show was anti-Italian, later episodes gave a more prominant role to Agent Enrico Rossi (the Italian-American member of Ness's team) in order to show an Italian-American as a hero working for law and order. See more »
The opening credits for the fourth season show a book open to a page that reads "The Untouchables, 1929--1933". This contradicts the chronology of several episodes set in 1934 or 1935. See more »
There is nothing in that area... except an old abandoned warehouse.
See more »
Seeing an excerpt from 'Untouchables' on satellite TV recently brought back some memories of forty years ago, when I looked forward in eager anticipation to seeing the weekly appearance of Eliot Ness and his associates. To see them again was to see characters apparently frozen in time, operating in a mythical world where the differences between good and evil were clearly delineated and the 'bad guys' got their just deserts. Notwithstanding the fact that Capone and Ness never met, that Ness had little, if anything, to do with putting Capone behind bars, the programmes were quite well directed and acted, even though some of the supporting characters had little,if anything, to say - I can remember often waiting for some considerable time for 'Rico' (Georgiade)to say his only line ! Enjoyable,nevertheless, as cinematic curiosities, well crafted, but so far removed from historical reality as to be a rather threadbare tapestry of the events which the series purported to represent.
7 of 8 people found this review helpful.
Was this review helpful to you?