| Photos (see all 3 | slideshow) |
| Dwayne Hickman | ... | Dobie Gillis (147 episodes, 1959-1963) | |
| Bob Denver | ... | Maynard G. Krebs (142 episodes, 1959-1963) | |
| Frank Faylen | ... | Herbert T. Gillis (110 episodes, 1959-1963) | |
| Florida Friebus | ... | Winifred Gillis / ... (88 episodes, 1959-1963) |
Series Directed by | |||
| Rodney Amateau | (101 episodes, 1959-1963) | ||
| Guy Scarpitta | (19 episodes, 1960-1963) | ||
| Stanley Z. Cherry | (9 episodes, 1961-1963) | ||
| Ralph Murphy | (6 episodes, 1959-1962) | ||
| Robert Gordon | (4 episodes, 1960-1961) | ||
| David Davis | (4 episodes, 1962-1963) | ||
| Tom Montgomery | (2 episodes, 1963) | ||
Series Writing credits | ||
| Max Shulman | (147 episodes, 1959-1963) | |
| Joel Kane | (39 episodes, 1959-1963) | |
| Arnold Horwitt | (22 episodes, 1960-1963) | |
| Dean Riesner | (16 episodes, 1959-1963) | |
| Bud Nye | (16 episodes, 1960-1963) | |
| R.S. Allen | (14 episodes, 1959-1961) | |
| Rodney Amateau | (8 episodes, 1959-1962) | |
| Lawrence Williams | (8 episodes, 1960-1962) | |
| Maggie Williams | (8 episodes, 1960-1962) | |
| Lester Pine | (4 episodes, 1961-1962) | |
| Irving Elinson | (3 episodes, 1959-1960) | |
| Fred S. Fox | (3 episodes, 1959-1960) | |
| Ben Starr | (2 episodes, 1959-1960) | |
| Terry Ryan | (2 episodes, 1960-1961) | |
| George Beck | (2 episodes, 1960) | |
| Phil Davis | (2 episodes, 1960) | |
Series Produced by | |||
| Rodney Amateau | .... | producer (147 episodes, 1959-1963) | |
| Martin Manulis | .... | executive producer (146 episodes, 1959-1963) | |
| Guy Scarpitta | .... | associate producer (141 episodes, 1959-1963) | |
| Norman Henry | .... | production executive / associate producer (107 episodes, 1959-1963) | |
| Joel Kane | .... | associate producer (70 episodes, 1959-1962) | |
Series Original Music by | |||
| Lionel Newman | (7 episodes, 1960-1963) | ||
Series Cinematography by | |||
| James Van Trees | (146 episodes, 1959-1963) | ||
Series Film Editing by | |||
| Johnny Ehrin | (57 episodes, 1959-1963) | ||
| Willard Nico | (33 episodes, 1959-1962) | ||
| Robert Moore | (19 episodes, 1962-1963) | ||
Series Art Direction by | |||
| Edward L. Ilou | (74 episodes, 1959-1962) | ||
| Jack Senter | (34 episodes, 1962-1963) | ||
| Charles Myall | (3 episodes, 1959) | ||
Series Set Decoration by | |||
| Walter M. Scott | (108 episodes, 1960-1963) | ||
| Chester L. Bayhi | (106 episodes, 1960-1963) | ||
| Mac Mulcahy | (39 episodes, 1959-1960) | ||
Series Second Unit Director or Assistant Director | |||
| Addison Schaumer Jr. | .... | assistant director (107 episodes, 1959-1963) | |
| John W. Rogers | .... | assistant director (38 episodes, 1959-1960) | |
| Joseph Lenzi | .... | assistant director (4 episodes, 1960-1961) | |
Series Sound Department | |||
| Richard Sperber | .... | sound effects supervisor (11 episodes, 1959-1963) | |
Series Stunts | |||
| Jesse Wayne | .... | stunts (unknown episodes, 1961) | |
Series Editorial Department | |||
| Robert Moore | .... | film editor (35 episodes, 1962-1963) | |
| Willard Nico | .... | film editor (34 episodes, 1960-1961) | |
| John Ehrin | .... | film editor (18 episodes, 1959-1960) | |
| Guy Scarpitta | .... | supervising film editor (5 episodes, 1959-1960) | |
| Larry Heath | .... | supervising film editor / supervising editor (4 episodes, 1962-1963) | |
Series Music Department | |||
| Lionel Newman | .... | composer: theme music (147 episodes, 1959-1963) | |
| Max Shulman | .... | composer: theme music (147 episodes, 1959-1963) | |
| Ken Runyon | .... | music editor / supervising music editor (44 episodes, 1959-1963) | |
Series Other crew | |||
| Kenneth L. Evans | .... | story editor (8 episodes, 1959-1960) | |
| Norman Henry | .... | assistant to producer (5 episodes, 1959-1960) | |
| Ray Montgomery | .... | dialogue director / dialogue supervisor (4 episodes, 1960-1962) | |
| David Davis | .... | dialogue supervisor (3 episodes, 1962-1963) | |
| Joel Kane | .... | story supervisor (3 episodes, 1962-1963) | |
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| "The Fresh Prince of Bel-Air" | "Diff'rent Strokes" | "ALF" | "Futurama" | "Silver Spoons" |
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Generations will remember him as Gilligan, and that one-gag show did have some funny moments, but Bob Denver better deserves recognition for playing Maynard G. Krebs in this little gem of a series. Although the show never did precisely represent the Zeitgeist of the times it portrays, and, in this post-modern age of irony, more than a little of it seems dated, it really was memorably funny.
It's remarkable to realize that Dobie the quintessential pre-hippie teenager is working awfully hard to convince girls to do something that's really pretty innocent. This is a guy looking for love, first and foremost in the form of affection and caring. It's not as if he were trying to talk the beautiful Thalia into bed, mind you. "Dobie," in the words of the show's theme song, "wants a girl to call his own. Is she short, is she tall, is she fat, is she small, is she any kind of dreamboat at all? No matter he's hers and hers alone; 'cause Dobie has to have a girl to call his own." How sweetly corny! And chaste, too! Not a hint of sex!
A good cast helped this show succeed. Tuesday Weld was more than just a pretty face; she was a surprisingly good actress. The young Warren Beatty was good, too. Dwayne Hickman created Dobie as a likable cipher, and Frank Faylen and Florida Friebus (her real name, not a Max Schulman creation) were convincing and comical as the 1950s parents from hell. Perhaps Sheila James' take on Zelda as Miss Walking Encyclopedia was a little over-the-top, and that nose-wrinkling shtick got a little old, but it worked. The superb character actor William Schallart shone as the English teacher Mr. Pomfritt (recalling the European nomenclature for French fries, "pommes-frites"), who never got to lecture about his favorite poet, William Wordsworth, because the end-of class bell would ring.
And then there was Maynard.
Dobie: "Zelda, I don't think that will work." Maynard: "Work!?!" Dobie: "Maynard!" This oft-repeated exchange became something of a catch phrase in certain circles (mine included), as the beatnik Krebs made America realize that it's much more important to play the bongos in a coffee house than hold down a job of any sort. Without Maynard, there would have been no Fonzie, no Bob Dylan, no Allen Ginsburg, no Beatles well, maybe that's an overstatement. But Bob Denver was the one of the first actors to show the TV audience that people can be hip and likable at the same time. And what a natural he was in the role.
Of course, none of these characters existed in real life. Real beatniks, like Jack Kerouac's Dean Moriarty, were far less likable and wholesome than Maynard. Tuesday Weld's troubled private life was much closer to a real-life situation than her portrayal of the gold-digging beautiful blonde. And nobody could be as non-libidinous as Dobie. These characters are of the same generation as the lusty characters portrayed in the movie "Animal House," after all. But this show was a fine, amusing and memorable little TV confection.