Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private...
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Sam Buckhart finds a newly orphaned little girl (Tess) who's father was just killed and takes her back to town. Her father was robbed by two outlaws and are aware Tess can identify them. Johnny will ...
While traveling back to Santa Fe, Sam and Deputy Forbes stop at Libertyville so Sam can visit an old ninety year old friend, but Sam decides to stay and investigate the reason behind a seemingly fake...
This is the story of Marshal Dan Troop of Laramie, Wyoming, and his Deputy Johnny McKay, an orphan Troop took under his wing. In the second season, Lily Merrill opens The Birdcage Saloon, ... See full summary »
Captain Shanks Adams is in charge of the fictional Ft. Lowell in this syndicated series. Set in the dangerous Arizona territory, Adams combats all sorts of trials assisted by his scout Luke Cummings and Lt. Binning.
Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private schools and Harvard University. After school, he returned to New Mexico where he became a Deputy Marshal working for Marshal Andy Morrison and living in a boarding house run by Martha Commager. The only other continuing cast member was 8-year old Tess Logan, an orphan who had been rescued by Buckhart. Written by
J.E. McKillop <firstname.lastname@example.org>
Michael Ansara first played his character in this series on 17 Feb 1959 in the episode "The Indian" and again on 9 June 1959 in the episode "The Raid," both on the series The Rifleman (1958), but neither actually plays like a pilot for this program. See more »
One of a herd of Western series, but with two distinguishing features
1959-60 may have been the TV year in which more than one-half of the prime team schedule was taken-up by Westerns. I can't swear to the virtues of this series-- was only 10 at the time-- but two things have stuck in my mind that recommend it. The first, its narrative gimmick: a lawman who was also Native American. Michael Ansara had charisma to burn. The idea deserved good scripts. The chief tug on my memory all these years was its theme-music-- what I remember is distinctive and beautiful-- a stirring anthem, probably not :45 seconds long. After scanning all the retro-recordings of TV music, hoping against all odds that someone would preserve it, I am resigned to whistling from memory. I wonder who composed it?
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