Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private...
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While traveling back to Santa Fe, Sam and Deputy Forbes stop at Libertyville so Sam can visit an old ninety year old friend, but Sam decides to stay and investigate the reason behind a seemingly fake...
Wichita, Kansas, USA was a growing town after the American Civil War. Helping the town grow were Marshal Mike Dunbar and his deputies, Ben Matheson and Rico Rodriguez. Also appearing were ... See full summary »
Captain Matt Holbrook leads a squad of brave and tough detectives in a large, unnamed city. Instead of leading personal lives, they spend all of their time tracking murderers, thieves, ... See full summary »
Christopher Colt was apparently a gun salesman but was in fact a government agent tracking down notorious bad guys. His cousin Sam took the lead when the studio had contract disputes with the original star.
Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private schools and Harvard University. After school, he returned to New Mexico where he became a Deputy Marshal working for Marshal Andy Morrison and living in a boarding house run by Martha Commager. The only other continuing cast member was 8-year old Tess Logan, an orphan who had been rescued by Buckhart. Written by
J.E. McKillop <email@example.com>
Michael Ansara first played his character in this series on 17 Feb 1959 in the episode "The Indian" and again on 9 June 1959 in the episode "The Raid," both on the series The Rifleman (1958), but neither actually plays like a pilot for this program. See more »
One of a herd of Western series, but with two distinguishing features
1959-60 may have been the TV year in which more than one-half of the prime team schedule was taken-up by Westerns. I can't swear to the virtues of this series-- was only 10 at the time-- but two things have stuck in my mind that recommend it. The first, its narrative gimmick: a lawman who was also Native American. Michael Ansara had charisma to burn. The idea deserved good scripts. The chief tug on my memory all these years was its theme-music-- what I remember is distinctive and beautiful-- a stirring anthem, probably not :45 seconds long. After scanning all the retro-recordings of TV music, hoping against all odds that someone would preserve it, I am resigned to whistling from memory. I wonder who composed it?
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