Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private...
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Sam Buckhart comes upon a gentleman (Theodore Roosevelt) roaming the desert after three masked men jump him and steal his horses and gear. The gentleman isn't so gentle with Tree Strelling, who runs ...
In 1868, after the Civil War, Custer takes charge of a mix of ex-Confederates and criminals, the 7th Cavalry Regiment at Fort Hays, Kansas. His boss General Terry doesn't like his methods ... See full summary »
Robert F. Simon
Anthology series hosted by Boris Karloff that originally told ordinary tales of crime and mystery, but later became a showcase for gothic horror stories, many of which were based on works ... See full summary »
Wichita, Kansas, USA was a growing town after the American Civil War. Helping the town grow were Marshal Mike Dunbar and his deputies, Ben Matheson and Rico Rodriguez. Also appearing were ... See full summary »
Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private schools and Harvard University. After school, he returned to New Mexico where he became a Deputy Marshal working for Marshal Andy Morrison and living in a boarding house run by Martha Commager. The only other continuing cast member was 8-year old Tess Logan, an orphan who had been rescued by Buckhart. Written by
J.E. McKillop <firstname.lastname@example.org>
Michael Ansara first played his character in this series on 17 Feb 1959 in the episode "The Indian" and again on 9 June 1959 in the episode "The Raid," both on the series The Rifleman (1958), but neither actually plays like a pilot for this program. See more »
The Score for Law of the Plainsman was composed by Leonard Rosenman (also composed theme). This information comes from a classic TV Western web site. This show was a fun show to watch and my first exposure to Michael Ansara as a performer and actor. The character originality and plots using a native American character in this show were to me the first sign that the 1960's and the decades following were not going to be just, Old Anglo Saxon knockoffs with guns, on the little or big screen any more. Typically Hollywood: a Syrian, playing a native American. The opening screen of the main character riding across the western plains on a pure white horse still holds my imagination.
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