Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private... See full summary »
It is the 1870s in Wyoming Territory. Slim Sherman and his 14-year-old brother Andy try to hang on to their ranch after their father is shot by a land grabber. They augment their slight ... See full summary »
Barney Ruditsky is a New York City police officer in the Roaring '20s who fights organized crime. The show was loosely based on the real life Rudisky who was a New York police officer ... See full summary »
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
Wichita, Kansas, USA was a growing town after the American Civil War. Helping the town grow were Marshal Mike Dunbar and his deputies, Ben Matheson and Rico Rodriguez. Also appearing were ... See full summary »
Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private schools and Harvard University. After school, he returned to New Mexico where he became a Deputy Marshal working for Marshal Andy Morrison and living in a boarding house run by Martha Commager. The only other continuing cast member was 8-year old Tess Logan, an orphan who had been rescued by Buckhart. Written by
J.E. McKillop <email@example.com>
Michael Ansara first played his character in this series on 17 Feb 1959 in the episode "The Indian" and again on 9 June 1959 in the episode "The Raid," both on the series The Rifleman (1958), but neither actually plays like a pilot for this program. See more »
The Score for Law of the Plainsman was composed by Leonard Rosenman (also composed theme). This information comes from a classic TV Western web site. This show was a fun show to watch and my first exposure to Michael Ansara as a performer and actor. The character originality and plots using a native American character in this show were to me the first sign that the 1960's and the decades following were not going to be just, Old Anglo Saxon knockoffs with guns, on the little or big screen any more. Typically Hollywood: a Syrian, playing a native American. The opening screen of the main character riding across the western plains on a pure white horse still holds my imagination.
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