Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private... See full summary »
Set in the Louisiana Territory around 1830, wealthy planter Jim Bowie encounters many famous people in New Orleans or the backwoods, relying for protection on the knife he supposedly ... See full summary »
The Deputy is Clay McCord, a storekeeper in 1880's Silver City, Arizona Territories, who is an expert shot, but refuses to use his gun because he believes they are the major cause of ... See full summary »
Cimmaron City is booming due to oil and gold and hopes to become capital of the future state of Oklahoma. Matthew Rockford is the son of the city's founder; he's now mayor and a major cattle rancher. Sheriff Temple must keep law and order.
A late entry in the TV Westerns boom of the late 50s. Shotgun Slade unlike other show hero wasn't a marshal, sheriff or gunfighter for hire, but Slade was a private detective, hired to ... See full summary »
Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private schools and Harvard University. After school, he returned to New Mexico where he became a Deputy Marshal working for Marshal Andy Morrison and living in a boarding house run by Martha Commager. The only other continuing cast member was 8-year old Tess Logan, an orphan who had been rescued by Buckhart. Written by
J.E. McKillop <firstname.lastname@example.org>
Michael Ansara first played his character in this series on 17 Feb 1959 in the episode "The Indian" and again on 9 June 1959 in the episode "The Raid," both on the series The Rifleman (1958), but neither actually plays like a pilot for this program. See more »
The Score for Law of the Plainsman was composed by Leonard Rosenman (also composed theme). This information comes from a classic TV Western web site. This show was a fun show to watch and my first exposure to Michael Ansara as a performer and actor. The character originality and plots using a native American character in this show were to me the first sign that the 1960's and the decades following were not going to be just, Old Anglo Saxon knockoffs with guns, on the little or big screen any more. Typically Hollywood: a Syrian, playing a native American. The opening screen of the main character riding across the western plains on a pure white horse still holds my imagination.
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