Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private... See full summary »
The Deputy is Clay McCord, a storekeeper in 1880's Silver City, Arizona Territories, who is an expert shot, but refuses to use his gun because he believes they are the major cause of ... See full summary »
Barney Ruditsky is a New York City police officer in the Roaring '20s who fights organized crime. The show was loosely based on the real life Rudisky who was a New York police officer ... See full summary »
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Garth, the Grainger brothers, and Col. MacKenzie. It is the setting for a variety of stories, many more ... See full summary »
When gold was discovered in the Yukon in the 1890's, thousands of hopeful prospectors headed north for a chance at becoming rich. The easiest passage to the Yukon was through the small ... See full summary »
Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private schools and Harvard University. After school, he returned to New Mexico where he became a Deputy Marshal working for Marshal Andy Morrison and living in a boarding house run by Martha Commager. The only other continuing cast member was 8-year old Tess Logan, an orphan who had been rescued by Buckhart. Written by
J.E. McKillop <firstname.lastname@example.org>
Michael Ansara first played his character in this series on 17 Feb 1959 in the episode "The Indian" and again on 9 June 1959 in the episode "The Raid," both on the series The Rifleman (1958), but neither actually plays like a pilot for this program. See more »
One of a herd of Western series, but with two distinguishing features
1959-60 may have been the TV year in which more than one-half of the prime team schedule was taken-up by Westerns. I can't swear to the virtues of this series-- was only 10 at the time-- but two things have stuck in my mind that recommend it. The first, its narrative gimmick: a lawman who was also Native American. Michael Ansara had charisma to burn. The idea deserved good scripts. The chief tug on my memory all these years was its theme-music-- what I remember is distinctive and beautiful-- a stirring anthem, probably not :45 seconds long. After scanning all the retro-recordings of TV music, hoping against all odds that someone would preserve it, I am resigned to whistling from memory. I wonder who composed it?
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