Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private...
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Barney Ruditsky is a New York City police officer in the Roaring '20s who fights organized crime. The show was loosely based on the real life Rudisky who was a New York police officer ... See full summary »
A late entry in the TV Westerns boom of the late 50s. Shotgun Slade unlike other show hero wasn't a marshal, sheriff or gunfighter for hire, but Slade was a private detective, hired to ... See full summary »
Air Force pilot Steve Canyon, the commander of Big Thunder Air Force Base, travels from base to base as an all around trouble shooter, when he's not dealing with the the personal and military problems of his own everyday life.
Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys... See full summary »
Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private schools and Harvard University. After school, he returned to New Mexico where he became a Deputy Marshal working for Marshal Andy Morrison and living in a boarding house run by Martha Commager. The only other continuing cast member was 8-year old Tess Logan, an orphan who had been rescued by Buckhart. Written by
J.E. McKillop <firstname.lastname@example.org>
Michael Ansara first played his character in this series on 17 Feb 1959 in the episode "The Indian" and again on 9 June 1959 in the episode "The Raid," both on the series The Rifleman (1958), but neither actually plays like a pilot for this program. See more »
One of a herd of Western series, but with two distinguishing features
1959-60 may have been the TV year in which more than one-half of the prime team schedule was taken-up by Westerns. I can't swear to the virtues of this series-- was only 10 at the time-- but two things have stuck in my mind that recommend it. The first, its narrative gimmick: a lawman who was also Native American. Michael Ansara had charisma to burn. The idea deserved good scripts. The chief tug on my memory all these years was its theme-music-- what I remember is distinctive and beautiful-- a stirring anthem, probably not :45 seconds long. After scanning all the retro-recordings of TV music, hoping against all odds that someone would preserve it, I am resigned to whistling from memory. I wonder who composed it?
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