When Emilia Crane's younger son, Harley, announces his intention of riding off with his outlaw brother, she informs Ringo that her older son, Red, is a notorious criminal who dyes his hair and calls ...
Cully kills a drunken rancher who threatened him in a saloon and is stricken with remorse. Rather than face the man's three brothers who ride into Velardi demanding revenge, Cully plans to slip out ...
When a shopkeeper is found hanging from a lamppost the same even three strangers ride into Velardi, Sheriff Ringo suspects that the two are not coincidence. He learns that the murdered man, his son ...
Captain Matt Holbrook leads a squad of brave and tough detectives in a large, unnamed city. Instead of leading personal lives, they spend all of their time tracking murderers, thieves, ... See full summary »
Powell served as host and, in early shows at least, occasional star in this dramatic anthology. It was his last television series and contained his last filmed acting (episode: 'The ... See full summary »
Correspondence-school law graduate Tom Brewster travels west to seek his fortune. Unfortunately, his "cowboy" abilities leave a lot to be desired and earn him the nickname "Sugarfoot" which... See full summary »
Don 'Red' Barry
Luke Perry and Simon Kane run a stagecoach line in the Old West, where they come across a wide variety of killers, robbers and ladies in distress. They are accompanied by Simon's young son ... See full summary »
Karen Sharpe's character, Laura Thomas, was written out of the series in mid-season after repeated arguments with the series' producer, Aaron Spelling, concerning the way the lead female character was written. Sharpe thought Laura's character should be written as an adventurous tomboy, while Spelling wanted the role to be played as demure, lady-like eye candy. See more »
Lets be upfront, rated 5 out of 10 because in an age when westerns were a dime a dozen, and you are competing for eyeballs with the likes of Steven McQueen and Richard Boone, this product was nothing more and nothing less than average. In those days (boy do I sound old) every western had a gimmick (except perhaps Gunsmoke, where the gimmick was that there was no gimmick, just tedious dialog.) Boone had his hidden derringer, McQueen had his saw-off with trick holster, Hugh Obrien had his Buntline, etc) here the character had really odd pistol which carried an extra shell. (Trivia note -- the writers based this on a real gun designed in France. Where else?) Invariably, just as Wyatt Earp would end up in a gunfight where the bad guy was too far away to fire back, and Palladin would end up fining his derringer when the bad guy looked the other way, Ringo would face an enemy who believed he was out of ammo (counting shots in a 50s western? wow) and surprise the rogue. The real story however is that this series was part of a "package" that a young producer named Aaron Spelling sold to TV, part of a set of three as I recall. He made them on the cheap (the star of Ringo had to sing his own theme song) and he essentially started a dynasty. So if you are in Business School, the rating is a 10.
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