Jackie Cooper played Hennesey, a Navy doctor in an onshore office. Abby Dalton, very young and beautiful then, played his blonde yeoman/secretary/nurse. She had a crush on Hennesey but he ... See full summary »
Don Corey and Jed Sills operate Checkmate, Inc., a very high priced detective agency in San Francisco. Helping them protect the lives of their clients is British criminologist (once an Oxford professor) Carl Hyatt.
Joey Barnes is the host of a TV talk show originating in New York. Each episode dealt with events in his personal and professional life as a celebrity. Many guest stars appeared on the ... See full summary »
The world in the late 19th century: A scientist and his team are held as "guests" of Robur on his airship, that he want to use to ensure peace on earth. Peace with all, even if he has to ... See full summary »
After Custer and the 7th Cavalry are wiped out by Indians, everyone expects the worst. Capt. Nathan Brittles is ordered out on patrol but he's also required to take along Abby Allshard, ... See full summary »
Chino Valdez is a loner horse breeder living in the old west. Partly a loner by choice, and partly because, being a 'half-breed', he finds himself unwelcome almost everywhere he goes. One ... See full summary »
Jackie Cooper played Hennesey, a Navy doctor in an onshore office. Abby Dalton, very young and beautiful then, played his blonde yeoman/secretary/nurse. She had a crush on Hennesey but he maintained his professional dignity. Much of the series was about his gradually warming up to her interest until they were married in the final episode. Neither a drama nor a comedy, it was mostly a character study. The third regular character was a beefy Navy seaman who aspired to become an astronaut until Hennesey found he had an inner-ear defect & was ineligible. Written by
Sean Fox <email@example.com>
I remember the remarkable thing about "Hennesey" was that it was a dry, adult comedy WITH NO LAUGHTRACK. My mother used to love the show for that reason alone. The absence of that psychological prod actually made the absurdities funnier. We the audience were being treated as adults who could laugh when it was funny. This was an innovative and bold move in television of the time. I really notice the idiocy of American TV when it is rebroadcast here in Italy. The use of the laughtrack to manipulate the audience into thinking something is funny is really noticeable here, where it is rarely employed. Also, the use of implausible situations, as mentioned above, was lacking. The show stood or fell on the quality of the characters and writing. Whoever chooses to re-release this show will have an uphill battle to avoid inserting these banal mechanisms to please sponsors.
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