The Deputy is Clay McCord, a storekeeper in 1880's Silver City, Arizona Territories, who is an expert shot, but refuses to use his gun because he believes they are the major cause of ... See full summary »
Adapted from the short story by acclaimed writer Katherine Anne Porter (Ship of Fools?), THE JILTING OF GRANNY WEATHERALL reminds us of the plight of many women who wait for life to claim them, rather than seek life out for themselves.
The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their ... See full summary »
The Deputy is Clay McCord, a storekeeper in 1880's Silver City, Arizona Territories, who is an expert shot, but refuses to use his gun because he believes they are the major cause of frontier violence. However, he is persuaded many times to be The Deputy to help keep order when the Chief Marshal Simon Fry is out of town. Written by
Pilot TV Network
Henry Fonda's first television series was this western, set in the Arizona territory in 1880 (as Fonda's character often said during an opening narration on many episodes.) Fonda's sequences were shot all at once each season so that he would be free the rest of the year to pursue film and theater work. See more »
Routine Western spiced up by occasional appearance by film actor
There's a sleigh of hand in the very title of this show. Note that the name of the show is "The Deputy". This conveniently allowed Fonda to not have to be a major player in all the episodes. Fonda appears in some episodes throughout the show but more likely than not you'll see him only at the beginning and end (usually this is explained by Fonda's Simon Fry character being "out of town")...and I've even seen a few episodes where Fonda doesn't appear at all! Really, the show's more about Allen Case than Fonda, but the Fonda name was there to draw viewers. Other than Fonda's needing money, I doubt there was any reason he'd do TV...particularly in a stock Western like this one. Don't get me wrong: the show's pleasant in a Revue Studios crank-em-out-cookie-cutter way (guess who produced the show?) and the jazz guitar that's going on in the background (sounds like Barney Kessel! cool!) is nice, but the plots are pretty clichéd and you've been there before. I wouldn't call it on the level of Wagon Train, Laramie, Gunsmoke, or The Rifleman, but it's a pleasant show. Just don't expect to see a lot of Fonda in it.
6 of 7 people found this review helpful.
Was this review helpful to you?