A famous Italian opera singer is invited to sing at the local Virginia City opera house. One snag: he may resemble on paper a runaway slave they were just notified about; and some of the townspeople ...
The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Garth, the Grainger brothers, and Col. MacKenzie. It is the setting for a variety of stories, many more ... See full summary »
This is the continuing saga of the Cartwrights, only none of the original Cartwrights are here anymore but their sons. Ben and Hoss have passed on, and Little Joe is MIA; he went with Teddy... See full summary »
William F. Claxton
Peter Mark Richman
The Cartwright's thousand-square-mile Ponderosa Ranch is located near Virginia City, Nevada, site of the Comstock Silver Lode, during and after the Civil War. Each of the sons was born to a different wife of Ben's; none of the mothers is still alive. Adventures are typical western ones, with lots of personal relationships/problems thrown in as well. Written by
Ed Stephan <firstname.lastname@example.org>
The opening burning map of the Ponderosa Ranch was illustrated with incorrect bearings. David Dortort, choosing not to redo the map, altered the compass points. See more »
The story of Bonanza starts in 1859 Nevada but the clothing worn by the cast is invariably 20th century . For example belt loops did not appear on men's trousers and jeans until many decades later. See more »
Let's go back to the Ponderosa, Pa. This isn't any of our affair.
We can't ignore the rest of the world. We're the only stabilizing influence in the country.
See more »
In the opening sequence, when the actors ride on their horses towards the camera and are introduced, the order in which they are introduced is never consistent - this was most likely done to prevent a single actor from becoming the "main" star of the show. See more »
Feature film makers have many lessons to learn from this classic western serial. Although each episode was made on a small budget when compared to the Hollywood "A" features of today, all of the production values of great classic movies of the golden age -- painterly composition and design, emotionally effective acting, lyrical music, suspenseful storytelling, beautiful timing, strong dramatic dialogue, elegantly choreographed action, powerful themes, colorful period costumes, folksy comic relief -- all of these values were at a consistently high level from show to show, with never an awkward effect or a misfit scene. Each of the featured characters was drawn in a unique and stylish way, suggesting the storybook characterization that distinguishes the best of the Hollywood golden age. Every one of the episodes stands well as a feature length movie in its own right and would look as good on the big screen as on TV. There's plenty of feeling, no padding or softness, and no mindless experimentation with technique or vulgarity such as has ruined so many westerns made since 1970.
It's difficult to understand why an approach which succeeded for so long was abandoned in the 1970's by both television and feature film makers. Many producers turned instead in the direction indicated by spaghetti westerns. Compared to classic westerns like "Bonanza," spaghetti westerns were much less lyrical and took more of a gutter eye view of the old west, stripping it of its romantic appeal and substituting what to a misguided new generation seemed a dirtier and therefore more authentic realism. In retrospect, Hollywood gave up way too much for the little that it got in return. The success of a vast body of works similar in appeal to "Bonanza" (including many of the other action adventure TV serials made from the '40s to the '60s) is proof that there is a widespread taste that is radically different from the one which has predominated in Hollywood since the '70s. Let's hope that one day we'll see the return of Bonanza's classic values to the screen.
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