The adventures of Ben Cartwright and his sons as they run and defend their ranch while helping the surrounding community.

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14   13   12   11   10   9   8   7   6   … See all »
1973   1972   1971   1970   1969   1968   … See all »
Nominated for 2 Golden Globes. Another 9 wins & 14 nominations. See more awards »

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Cast

Complete series cast summary:
...
 Ben Cartwright / ... (430 episodes, 1959-1973)
...
 Joseph 'Little Joe' Cartwright / ... (427 episodes, 1959-1973)
...
 Eric 'Hoss' Cartwright / ... (415 episodes, 1959-1972)
...
 Adam Cartwright (200 episodes, 1959-1965)
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Storyline

The Cartwright's one-thousand square mile Ponderosa Ranch is located near Virginia City, Nevada, site of the Comstock Silver Lode, during and after the Civil War. Each of the sons was born to a different wife of Ben's; none of the mothers is still alive. Adventures are typical western ones, with lots of personal relationships/problems thrown in as well. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Western

Certificate:

TV-PG | See all certifications »

Parents Guide:

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Details

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Release Date:

12 September 1959 (USA)  »

Also Known As:

Ponderosa  »

Company Credits

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Technical Specs

Runtime:

(430 episodes)

Sound Mix:

Color:

Aspect Ratio:

4:3
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Did You Know?

Trivia

For a long time producer David Dortort refused to allow Michael Landon to write scripts for the show. It took many failed attempts by Landon before he eventually submitted a script that Dortort thought good enough to make. After this he became a regular writer for the series and later would re-work many of his scripts for new episodes of Little House on the Prairie (1974). See more »

Goofs

During the first season opening credits, the Cartwrights can be seen galloping on horses on a dirt road that contains an unmistakable set of tire tracks from the truck carrying the camera in front of them. See more »

Quotes

[running gag]
Ben Cartwright: Hey, Joe, do you know the difference between a table and an ottoman?
Joseph 'Little Joe' Cartwright: Sure I do.
Ben Cartwright: Then take your feet off the table!
[Hoss rolls his eyes]
Eric 'Hoss' Cartwright: He'll never learn to do that.
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Crazy Credits

The opening and closing credits show a picture on the screen that corresponds with whatever credit is being given ("Music by" is accompanied by a man playing a violin, "Written by" has a Mark Twain-inspired writer type holding a book with "Bonanza" written on its cover, etc.) See more »

Connections

Referenced in The Reunion (2011) See more »

Soundtracks

Bonanza
Written by Jay Livingston and Ray Evans
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Frequently Asked Questions

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User Reviews

Learn from one of the best TV Westerns!
1 March 2005 | by (United States) – See all my reviews

Feature film makers have many lessons to learn from this classic western serial. Although each episode was made on a small budget when compared to the Hollywood "A" features of today, all of the production values of great classic movies of the golden age -- painterly composition and design, emotionally effective acting, lyrical music, suspenseful storytelling, beautiful timing, strong dramatic dialogue, elegantly choreographed action, powerful themes, colorful period costumes, folksy comic relief -- all of these values were at a consistently high level from show to show, with never an awkward effect or a misfit scene. Each of the featured characters was drawn in a unique and stylish way, suggesting the storybook characterization that distinguishes the best of the Hollywood golden age. Every one of the episodes stands well as a feature length movie in its own right and would look as good on the big screen as on TV. There's plenty of feeling, no padding or softness, and no mindless experimentation with technique or vulgarity such as has ruined so many westerns made since 1970.

It's difficult to understand why an approach which succeeded for so long was abandoned in the 1970's by both television and feature film makers. Many producers turned instead in the direction indicated by spaghetti westerns. Compared to classic westerns like "Bonanza," spaghetti westerns were much less lyrical and took more of a gutter eye view of the old west, stripping it of its romantic appeal and substituting what to a misguided new generation seemed a dirtier and therefore more authentic realism. In retrospect, Hollywood gave up way too much for the little that it got in return. The success of a vast body of works similar in appeal to "Bonanza" (including many of the other action adventure TV serials made from the '40s to the '60s) is proof that there is a widespread taste that is radically different from the one which has predominated in Hollywood since the '70s. Let's hope that one day we'll see the return of Bonanza's classic values to the screen.


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