Hoss takes two months of leave. He sees a little black boy steal a candle. He learns the boy wants the candle to make a wish. As he gets to know the boy and his family, he decides to try to help the ...
Little Joe falls in love with Alice Harper played by a young Bonnie Bedelia who he meets while rescuing her gambler brother John from a poker game gone bad. The two eventually marry and are expecting...
Katee Sackhoff talks about what it's like to be a part of "Star Wars: Rebels" and reveals the inspiration for her character on "The Flash." Plus, we get our Jedi on and learn how to wield a lightsaber.
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (five-card draw) is ... See full summary »
The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Garth, the Grainger brothers, and Colonel MacKenzie. It is the setting for a variety of stories, many more ... See full summary »
The Cannon family runs the High Chaparral Ranch in the Arizona Territory in 1870s. Big John wants to establish his cattle empire despite Indian hostility. He's aided by brother Buck and son... See full summary »
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts, and Rocky Mountains. The first treks were led by gruff, ... See full summary »
The Cartwright's one-thousand square mile Ponderosa Ranch is located near Virginia City, Nevada, site of the Comstock Silver Lode, during and after the Civil War. Each of the sons was born to a different wife of Ben's; none of the mothers is still alive. Adventures are typical western ones, with lots of personal relationships/problems thrown in as well. Written by
Ed Stephan <email@example.com>
According to the 1973 book "Marilyn Beck's Hollywood", when Pernell Roberts told Lorne Greene he was leaving the series because he wanted to challenge himself as an actor, Greene told him to stick to it as he would be so rich by the end of the run he could hire Tennessee Williams himself to write a play for him. Roberts' career went into a tailspin that lasted over a decade after he left the show. Co-star Michael Landon later said of Roberts' departure that they simply took a leaf out of the dining room table and split the money three rather than four ways. While the post-"Bonanza" Roberts struggled (until later catching on with Trapper John, M.D. (1979), Greene, Landon and Dan Blocker became very wealthy from their income from the show, which all three wisely invested in. See more »
During the first season opening credits, the Cartwrights can be seen galloping on horses on a dirt road that contains an unmistakable set of tire tracks from the truck carrying the camera in front of them. See more »
The opening and closing credits show a picture on the screen that corresponds with whatever credit is being given ("Music by" is accompanied by a man playing a violin, "Written by" has a Mark Twain-inspired writer type holding a book with "Bonanza" written on its cover, etc.) See more »
Feature film makers have many lessons to learn from this classic western serial. Although each episode was made on a small budget when compared to the Hollywood "A" features of today, all of the production values of great classic movies of the golden age -- painterly composition and design, emotionally effective acting, lyrical music, suspenseful storytelling, beautiful timing, strong dramatic dialogue, elegantly choreographed action, powerful themes, colorful period costumes, folksy comic relief -- all of these values were at a consistently high level from show to show, with never an awkward effect or a misfit scene. Each of the featured characters was drawn in a unique and stylish way, suggesting the storybook characterization that distinguishes the best of the Hollywood golden age. Every one of the episodes stands well as a feature length movie in its own right and would look as good on the big screen as on TV. There's plenty of feeling, no padding or softness, and no mindless experimentation with technique or vulgarity such as has ruined so many westerns made since 1970.
It's difficult to understand why an approach which succeeded for so long was abandoned in the 1970's by both television and feature film makers. Many producers turned instead in the direction indicated by spaghetti westerns. Compared to classic westerns like "Bonanza," spaghetti westerns were much less lyrical and took more of a gutter eye view of the old west, stripping it of its romantic appeal and substituting what to a misguided new generation seemed a dirtier and therefore more authentic realism. In retrospect, Hollywood gave up way too much for the little that it got in return. The success of a vast body of works similar in appeal to "Bonanza" (including many of the other action adventure TV serials made from the '40s to the '60s) is proof that there is a widespread taste that is radically different from the one which has predominated in Hollywood since the '70s. Let's hope that one day we'll see the return of Bonanza's classic values to the screen.
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