Little Joe finds true love in newcomer Alice Harper. Following a courtship, the two are engaged. Unlike most of the Cartwrights' previous girlfriends, Alice makes it to the altar. Joe and Alice are ...
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Garth, the Grainger brothers, and Col. MacKenzie. It is the setting for a variety of stories, many more ... See full summary »
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (5 card draw) is ... See full summary »
Marshal Earp keeps the law, first in Kansas and later in Arizona, using his over-sized pistols and a variety of sidekicks. Most of the saga is based loosely on fact, with historical badguys... See full summary »
The Cartwright's ten-thousand square mile Ponderosa Ranch is located near Virginia City, Nevada, site of the Comstock Silver Lode, during and after the Civil War. Each of the sons was born to a different wife of Ben's; none of the mothers is still alive. Adventures are typical western ones, with lots of personal relationships/problems thrown in as well. Written by
Ed Stephan <firstname.lastname@example.org>
The last 14 episodes of Season One and the first 17 episodes of Season Two have fallen into the public domain. These 31 episodes have been released by many different companies in many different configurations, usually with the familiar theme music replaced with generic music. Starting with episode 1.19, the 31 episodes in order are: The Gunmen, The Fear Merchants, The Spanish Grant, Blood on the Land, Desert Justice, The Stranger, Escape to Ponderosa, The Avenger, The Last Trophy, San Francisco Holiday (aka San Francisco), Bitter Water, Feet of Clay, Dark Star, Death at Dawn, Showdown, The Mission, Badge Without Honor, The Mill, The Hopefuls, Denver McKee, Day of Reckoning, The Abduction, Breed of Violence, The Last Viking, The Trail Gang, The Savage, Silent Thunder, The Ape, The Blood Line, The Courtship, and The Spitfire. See more »
The story of Bonanza starts in 1859 Nevada but the clothing worn by the cast is invariably 20th century . For example belt loops did not appear on men's trousers and jeans until many decades later. See more »
In the opening sequence, when the actors ride on their horses towards the camera and are introduced, the order in which they are introduced is never consistent - this was most likely done to prevent a single actor from becoming the "main" star of the show. See more »
Feature film makers have many lessons to learn from this classic western serial. Although each episode was made on a small budget when compared to the Hollywood "A" features of today, all of the production values of great classic movies of the golden age -- painterly composition and design, emotionally effective acting, lyrical music, suspenseful storytelling, beautiful timing, strong dramatic dialogue, elegantly choreographed action, powerful themes, colorful period costumes, folksy comic relief -- all of these values were at a consistently high level from show to show, with never an awkward effect or a misfit scene. Each of the featured characters was drawn in a unique and stylish way, suggesting the storybook characterization that distinguishes the best of the Hollywood golden age. Every one of the episodes stands well as a feature length movie in its own right and would look as good on the big screen as on TV. There's plenty of feeling, no padding or softness, and no mindless experimentation with technique or vulgarity such as has ruined so many westerns made since 1970.
It's difficult to understand why an approach which succeeded for so long was abandoned in the 1970's by both television and feature film makers. Many producers turned instead in the direction indicated by spaghetti westerns. Compared to classic westerns like "Bonanza," spaghetti westerns were much less lyrical and took more of a gutter eye view of the old west, stripping it of its romantic appeal and substituting what to a misguided new generation seemed a dirtier and therefore more authentic realism. In retrospect, Hollywood gave up way too much for the little that it got in return. The success of a vast body of works similar in appeal to "Bonanza" (including many of the other action adventure TV serials made from the '40s to the '60s) is proof that there is a widespread taste that is radically different from the one which has predominated in Hollywood since the '70s. Let's hope that one day we'll see the return of Bonanza's classic values to the screen.
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