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Édes Anna (1958)

7.3
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Ratings: 7.3/10 from 254 users  
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Mail for translation. A kis cseled, Edes Anna mindenesnek szegodik Vizy meltosagosekhoz. Vizyne buszke a jo vasarra az igenytelen, szorgalmas leannyal, de nem veszi ... See full summary »

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Title: Édes Anna (1958)

Édes Anna (1958) on IMDb 7.3/10

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Cast

Cast overview, first billed only:
Mari Töröcsik ...
Édes Anna (as Törõcsik Mari)
Mária Mezei ...
Vízyné
Károly Kovács ...
Vízy Kornél
Zsigmond Fülöp ...
Jancsi
Béla Barsi ...
Ficsor
Anna Báró ...
Tatárné
Kati Böröndi ...
Katica
Zoltán Greguss ...
Tatár Gábor
Hilda Gobbi ...
Etel
János Horkay ...
Druma (as Horkai János)
György Kálmán
Zoltán Makláry ...
Dr. Moviszter
Gellért Raksányi ...
Báthory
Erzsi Simor ...
Moviszterné
Viktória Ujváry ...
(as Újvári Viktória)
Edit

Storyline

Mail for translation. A kis cseled, Edes Anna mindenesnek szegodik Vizy meltosagosekhoz. Vizyne buszke a jo vasarra az igenytelen, szorgalmas leannyal, de nem veszi emberszamba. Az asszony unokaoccse megkornyekezi a lanyt, aki halas a szep szavakert, es enged neki. Amikor allapotos lesz, a fiatalur otthagyja ot. Anna megalaztatasai vegul tragediaba torkollanak. Written by Steve Varadi <svaradi@sprynet.com>

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Language:

Release Date:

6 November 1958 (Hungary)  »

Also Known As:

Anna  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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User Reviews

 
Stark Sociopolitical Mood Piece, Brilliant Acting
18 January 2012 | by (New Zealand) – See all my reviews

After seeing Fábri's excellent "Körhinta" (1956) the other day I felt compelled to review this film which I saw several years ago. I remember it being a spare but effective exploration of class dynamics, framing and lighting illuminating Fábri's subtle political insights. Perhaps a more persuasive argument for neophytes to seek out an old, obscure Hungarian film is to give exposure to the brilliant performance by Törőcsik Mari, as compelling a victim-aggressor as Catherine Deneuve would be some time later in Polański's "Repulsion", if not more so. She has a face and voice born for the pictures - both soft, innocent, a little naïve, but capable of expressing massive shifts in emotion or psychology with slight fluctuations.

Bonuses - Mezei Mária's striking bitchiness as the titular Anna's high-class mistress and a truly inspired nightmare sequence (how did they do that?!).


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