A man in a gleaming white suit comes to a small Southern town on the eve of integration. He calls himself a social reformer. But what he does is stir up trouble--trouble he soon finds he can't control.
Peter Fonda plays 'Heavenly Blues', the leader of Hell's Angels chapter from Venice, California while Bruce Dern plays 'Loser', his best pal. When they both botch their attempt to retrieve ... See full summary »
Promising young racing car driver Joe Joe Quillico leaves the stock car racing scene in the United States in order to pursue Grand Prix racing in Europe. After limited success he manages to... See full summary »
Chicago February 14th 1929. Al Capone finally establishes himself as the city's boss of organised crime. In a north-side garage his hoods, dressed as policemen, surprise and mow down with ... See full summary »
A psychological gangster film based on fact. Machine gun totin' Ma Barker lead her family gang (her sons) on a crime spree in the Depression era. Her loyal brood have every perversion ... See full summary »
Paul Groves (Peter Fonda), a television commercial director, is in the midst of a personality crisis. His wife Sally (Susan Strasberg) has left him and he seeks the help of his friend John ... See full summary »
From the time this movie was conceived, it was reportedly only eight weeks later that the completed movie was playing in theatres. See more »
When Susan Cabot enters the "solar energy room," she opens the door from her right-hand side. When Richard Devon follows her in, he opens the door from his left-hand side. See more »
[on the floor of the UN]
The delegate has spoken of naked survival. Gentlemen, you do not survive by abject surrender. Nations and worlds must fight for survival. If we give in now, let down our defenses, give this alien planet full control over our actions & our lives for mere survival, won't they decide to take even that away from us? Have the gentlemen here asked themselves why these aliens are so concerned that we do not penetrate the Sigma barrier? Isn't it peculiar that this action alone ...
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"War of the Satellites" is a better than average science fiction flick; which, just means, it is not achingly awful. Roger Corman did some genuine stylish and engrossing Edgar Allen Poe films and the cult classic "Little Shop of Horrors," an amazing film, especially when you realize it was shot over a weekend. However, except for this and "Attack of the Crab Monsters," virtually ever other Corman sci-fi is garbage,largely because of the incredibly kitschy special effects. Here the special effects are passable and the set decoration is fairly good. However, what really distinguishes "War of the Satellites" is actor Richard Devon's mostly dignified performance, mindful of Michael Rennie in "The Day the Earth Stood Still". Even more fascinating about Devon's performance is the subtle bisexuality of his character. Watching Devon is far more interesting than anything else going on around him.
Not to say Dick Miller and Susan Cabot do not contribute a lot. Miller, a stalwartly reliable character actor who worked a lot, has his moments and Susan Cabot, a fine, beautiful actress who never got her due, keep the film moving nicely. I am not certain of the of the young actor who first accuses Devon, but he is effective in a very small role. Actually, the acting and fast pacing are what keep "War of the Satellites" from being a total dud. That and the very good black and white photography.
All and all, a pretty entertaining movie.
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