The writer Pierre Carot became rich and famous with his book "Life as a Couple", which was based on the loving relationships of four couples. Now he's setting up his will and wants to leave...
See full summary »
A witty journey through the history of Paris told to a group of students by Sacha Guitry, from its foundation at the time of Caesar to 1955. Among others you will meet King Charles VII ... See full summary »
Jockey Jack has a bill open with a gangster just released from jail. He somehow manages to parry the gangster's knife attack backstage at a theatre and the latter ends up dead being put ... See full summary »
Louis de Funès
In this Franco-Italian gangster parody, a shop keeper on his way to an Italian holiday suffers a crash which totals his car. The culprit can only compensate his ruined trip by driving an ... See full summary »
Louis de Funès,
Marcel, a simple-minded factory worker, is tricked into buying a high-priced American convertible by a widow determined not to let it fall into the hands of her late husband's secretary/... See full summary »
A small-town policeman is informed that "naked women" are dancing in a revue at a local variety theater. Being the guardian of public morals that he is, he decides to stroll on down there and check it out for himself.
Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them --... See full summary »
Louis de Funès,
When the swindler La Spada and his accomplice José come out of jail in Madrid, they decide to pull a really great swindle: nothing less than to discover and sell a third picture of the ... See full summary »
The writer Pierre Carot became rich and famous with his book "Life as a Couple", which was based on the loving relationships of four couples. Now he's setting up his will and wants to leave his wealth to the couples among the four, which are still as deeply in love - if any: else, his companions get the money. He sends them out to visit the couples and test their love. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
"La vie à deux" is the last screenplay written by Sacha Guitry. In this script, devised to be his testament, Guitry clearly chooses his heirs, not those who wish to make money out of his dead body (represented in the film by greedy Jean Tissier and Gilbert Bokanowski) but the woman (the adoration of his whole life) and the spectator (present and future). To this end, he has imagined a (thin) plot meant to revisit several of his plays ("Désiré", "L'illusionniste", "Une paire de claques", "Le blanc et le noir", "Françoise") in which two dimwitted genealogists (Jacques Jouanneau and Christian Duvaleix) are entrusted to check whether four happy couples who inspired him for his plays still live in bliss after all those years... Guitry originally planned to act and direct as usual, unfortunately he, who was too ill to complete his former film "Les trois font la paire " (1957), died before production was even started. Clément Duhour, a former actor turned producer and close friend to Guitry since 1951, seemed the obvious choice, all the more as he had co-directed Guitry's final film. Not so obvious when you consider the result. Of course, Duhour proves perfectly respectful and faithful to the master and he has managed to convince quite an impressive number of prestigious actors (most of whom being familiars of Guitry's theater and cinema) to appear before his cameras. But the pleasure of their company is not enough in this uneven film. The problem lies in Clément Duhour's incapacity to create magic and fascination. Luckily, a few of the performers manage to bring their character to life, the best being Gérard Philipe, irresistible as Désiré, the perfect butler who can't help falling in love with the women who hire her. Lilli Palmer is fine as well as the light companion of a French minister, Fernandel rather convincing in the difficult role of a white father whose wife gives him a ... Black baby! And Pierre Brasseur has the charisma required for being a Guitry substitute. But Jean Richard is absolutely inadequate as the man divorcing his wife because of his ... mother-in-law, Edwige Feullère is too stiff and cold for her role. And there is no real chemistry between Jean Marais as the illusionist and Lilli Palmer, the woman he is supposed to enchant by his lies. The so-so quality of Clément Duhour's direction should not stop you from watching "La vie à deux" though. For if, as I said before, the pleasure of their company is not enough, it still IS a pleasure to see Brasseur, Desmarets, Darrieux, de Funès, Fernandel, Philipe, etc. gathered together in the same film.
3 of 3 people found this review helpful.
Was this review helpful to you?