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A San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.

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(screenplay), (screenplay) (as Samuel Taylor) | 2 more credits »
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1,621 ( 155)
Top Rated Movies #71 | Nominated for 2 Oscars. Another 8 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
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...
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...
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...
Scottie's Doctor
...
Konstantin Shayne ...
Pop Leibel
Lee Patrick ...
Car Owner Mistaken for Madeleine
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Storyline

John "Scottie" Ferguson is a retired San Francisco police detective who suffers from acrophobia and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, because she believes she is possessed by a dead ancestor. Scottie is skeptical, but agrees after he sees the beautiful Madeleine. Written by filmfactsman

Plot Summary | Plot Synopsis

Taglines:

A tall story about a pushover [Video] See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 July 1958 (Brazil)  »

Also Known As:

'Vertigo'  »

Box Office

Budget:

$2,479,000 (estimated)

Opening Weekend:

$1,486,818 (USA) (22 November 1996)

Gross:

$3,200,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1996 restored)

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.50 : 1
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Did You Know?

Trivia

After additional location shoots at the Big Basin Redwoods State Park and the Spanish mission San Juan Bautista, the cast and crew settled in at Paramount Studios soundstages for two months of filming. In the studio, Alfred Hitchcock was in his element and could exert absolute control though he had his share of creative challenges. One very striking sequence is the kissing scene that occurs when Scottie has finally made Judy over as Madeleine. As the couple kiss, the background slowly swirls, and we lose equilibrium as we see Judy's apartment become the livery stables of San Juan Bautista, setting for an earlier emotional scene between Scottie and Madeleine. The shot was achieved with rear projection of the background plates; the camera tracking slowly back, then forward; and with James Stewart and Kim Novak revolving on a circular platform. These simultaneous movements were very difficult to coordinate, and to pull off without the actors getting dizzy - in one take Stewart fell and was slightly injured. Principal photography was completed three days after this shot, just before Christmas, 1957. See more »

Goofs

When Madeleine arrives at Scottie's apartment to post a letter, the establishing shot shows only a few bushes by the metal railings. However, in the closer two shots, more bushes are can be seen against the railings. See more »

Quotes

[first lines]
Officer on rooftop: Give me your hand. Give me your hand.
See more »

Crazy Credits

The opening Paramount logo is in black and white while the rest of the film, including the closing Paramount logo, is in Technicolor. See more »


Soundtracks

Symphony No. 34 in C K. 338, 2nd Movement, Andante di Molto (piu tosto allegretto)
(uncredited)
Composed by Wolfgang Amadeus Mozart
Played as 'cue 10B' on a record in the psychiatric ward
See more »

Frequently Asked Questions

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User Reviews

 
Beyond Amazing
25 October 2005 | by (United States) – See all my reviews

Over the years, this film has been regarded as one of Hitchcock's masterpieces. Its been called the most personal, emotional, and complex of Hitchcock's films. I agree with all of these things except for one, this film IS Hitchcock's masterpiece work. All of the others pale in comparison to this. There are phenomenal performances here by Jimmy Stewart who plays the biggest anti-hero of his career and Kim Novak whose stunning beauty and exceptional personalities shine through this dark film. Barbara Bel Geddes provides great support as well. Everything about this film, the cinematography, the story, the depth, etc. leaves you mystified and transfixed on this dizzying, surreal artwork of a film. It truly is flawless. If you are a Hitchcock fan and haven't seen this you need to get up right now and buy, not rent, this as soon as possible!


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