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Vertigo (1958)

Approved  |   |  Mystery, Romance, Thriller  |  1958 (UK)
8.4
Your rating:
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Ratings: 8.4/10 from 213,114 users  
Reviews: 643 user | 187 critic

A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.

Director:

Writers:

(screenplay), (screenplay) (as Samuel Taylor) , 3 more credits »
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Title: Vertigo (1958)

Vertigo (1958) on IMDb 8.4/10

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Top 250 #68 | Nominated for 2 Oscars. Another 8 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
...
...
Scottie's Doctor
...
Konstantin Shayne ...
Pop Leibel
Lee Patrick ...
Car Owner Mistaken for Madeleine
Edit

Storyline

Former Police detective John "Scottie" Ferguson was asked by a friend to investigate his wife named Madeleine since he was afraid that she might attempt to kill herself due to probable insanity as she thinks that she might be possessed by a dead woman. Scottie agrees and ended up falling in love with her. Unfortunately for him, Madeleine died and he was left alone until a woman named Judy came along and things start to unfold.

Plot Summary | Plot Synopsis

Taglines:

A Hitchcock thriller. You should see it from the beginning! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1958 (UK)  »

Also Known As:

'Vertigo'  »

Box Office

Budget:

$2,479,000 (estimated)

Opening Weekend:

$1,486,818 (USA) (22 November 1996)

Gross:

$3,200,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1996 restored)

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.50 : 1
See  »
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Did You Know?

Trivia

Ransohoff's of San Francisco was a famous and trendy high-end boutique. It closed in 1976. See more »

Goofs

When Scottie is following Madeline, while they are driving, Scottie's car turns a couple of seconds before his hand turns the steering-wheel. See more »

Quotes

[first lines]
Officer on rooftop: Give me your hand. Give me your hand.
See more »

Crazy Credits

There is no end title on this film. See more »

Connections

Referenced in Indiana Jones and the Kingdom of the Crystal Skull (2008) See more »

Soundtracks

Sardis #4
(uncredited)
(Forever Female), from Skylark (1941) (Poochie)
Composed by Victor Young
Orchestrated by Gus Levene
Played as 'cue 12D' by the orchestra while Scottie and Judy are dancing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Standard Rave
10 July 2002 | by (Sydney, Australia) – See all my reviews

Starting in 1958, Alfred Hitchcock directed a remarkable sequence of films in a row, each of them a classic; Vertigo (1958), North by Northwest (1959), Psycho (1960) and The Birds (1963). Never has a director made four such genuinely great movies in such a short space of time, either before or since.

The pick of this high standard bunch is undoubtedly Vertigo. From the opening titles, with their circling spiral imagery, to the dramatic final scene this is a movie that takes you to a different time and place. Specifically, to a San Francisco of the past; full of deserted parks, discrete rooming houses, oddly menacing art galleries and florists where the customers enter and exit through the back door. Through this landscape wanders Jimmy Stewart, towering in the lead roll as a former detective recently retired after a bungled arrest leaves him with chronic vertigo. Plot machinations lead him to the alluring Kim Novak (one of Hitchcock's famous "blondes"), the young wife of a friend who has started behaving rather oddly.

"To reveal more," as Leonard Maltin wrote, "would be unthinkable."

While the performances of Novak and Stewart are memorable, the movie is really set apart by the intelligent script and the stylistic touches provided by the director. Hitchcock is in his very best form creating hypnotic scenes and a general sense of unease and dread in even the most banal of situations. He is aided in this by the wonderful score of Bernard Herrman. A particular favourite of mine is the extended (largely silent) segment where Stewart follows Novak for the first time. Nothing much happens, but the atmosphere of these scenes is enough to keep you on the edge of your seat!

One of the all-time greats. They definitely don't make them like this anymore.


290 of 381 people found this review helpful.  Was this review helpful to you?

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Did Hitchcock really blame Jimmy Stewart for the failure of the film? FilmKoala
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