A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
Former Police detective John "Scottie" Ferguson was asked by a friend to investigate his wife named Madeleine since he was afraid that she might attempt to kill herself due to probable insanity as she thinks that she might be possessed by a dead woman. Scottie agrees and ended up falling in love with her. Unfortunately for him, Madeleine died and he was left alone until a woman named Judy came along and things start to unfold.
As with most Alfred Hitchcock movies, the filming went relatively smoothly. The director avoided surprises, preferring to have every detail planned out in advance. Extensive storyboarding of most sequences assured that his trusted production staff would know what was expected of them. See more »
As the camera moves away from Scottie standing at the edge of the tower, the shadow of the camera can be seen for a split second on the outer wall of the tower. On the Alfred Hitchcock Masterpiece Collection DVD, the image is cropped so the shadow cannot be seen. See more »
(Forever Female), from Skylark (1941) (Poochie)
Composed by Victor Young
Orchestrated by Gus Levene
Played as 'cue 12D' by the orchestra while Scottie and Judy are dancing See more »
Along with "Psycho", Hitchcock's best film that wraps itself around the viewer very fast and never does let go. San Francisco detective Jimmy Stewart is slowly going crazy due to a failed mission which did not work because of his intense fear of heights. This is all front-page news of course and Stewart is shamed about the whole event. But a ray of light shines as he gets a job to watch a man's wife (Kim Novak) who is supposedly having an affair with another man. Stewart believes this is his chance to put the past behind him, but sometimes the future is even darker. Stewart falls in love with Novak and the love turns into a dark and twisted obsession that becomes deeper and deeper as the film progresses. When tragedy strikes, that is the end. Right? Not quite. An amazing screenplay and arguably Hitchcock's greatest directing venture make the film solid and Stewart's stunning performance raises the whole project to a classic level. Somewhat ignored around the awards circuit in 1958, but ages beautifully as the years go by. 5 stars out of 5.
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