Normandy, second half of the nineteenth century. Jeanne Dandieu lives in a manor house with her parents and their servant Rosalie. She gets to know Julien, a handsome man, whom she soon ...
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Through her answers to police inspector Corbin's questions, investigating Dr Danieli's suicide, Catherine Racan draws her self-portrait. The ambitious young journalist indeed tells how she ... See full summary »
Anna, twenty-seven, married to building contractor Eric, refuses to live in his wake. Craving independence, she can exist through the art gallery she runs, but isn't this occupation a mere ... See full summary »
Frédéric, a shy small-town man, falls in love with Anne, a middle class woman married to Didier, who cheats on her with top model Barbara. Catherine, a very determined woman, is secretly in... See full summary »
Jean, his loving wife and son live a simple, happy life. At his son's homeroom teacher Madamoiselle Chambon's request, he volunteers as substitute teacher and starts to fall for her ... See full summary »
Summer, 1943: wealthy youth in the Riccione district of Rimini play while the war gets closer. Carlo Caremoli, a young man who follows the crowd, has found ways to avoid military service. ... See full summary »
Gervaise Macquart, a young lame laundress, is left by her lover Auguste Lantier with two boys... She manages to make it, and a few years later she marries Coupeau, a roofer. After working ... See full summary »
Normandy, second half of the nineteenth century. Jeanne Dandieu lives in a manor house with her parents and their servant Rosalie. She gets to know Julien, a handsome man, whom she soon marries. Her happiness is short-lived as she finds out that not only has Julien married her for her money but he cheats on her as well, with Rosalie to crown it all. The latter gives birth to a baby girl before leaving the house. Six years later, Julien has a new mistress, Gilberte de Fourcheville. Jeanne puts up with this new ordeal bravely. However Gilbert's husband surprises the two lovers in a caravan and, in a rage, hurls them over the edge of a cliff. Written by
This great movie offers a rare comfortable distance
The use of colors in this movie is quite impressive. I think the colors are truly beautiful, and I feel the use of colors here is somehow different from other movies, but I can't quite tell exactly how it is different. I'm also impressed by another hard-to-describe aspect of this movie: the comfortable distance between the audience and the characters. I find myself enjoy watching this movie many times, though I'm not really interested in the story and these kinds of characters. Why do I enjoy watching it while feeling uninvolved in it? It is because I feel very comfortable watching it. I feel as if there is an emotional space of a very appropriate size separating me from the characters. I don't feel the characters' feelings are too far away from me that I lose interest in them, and nor do I feel the movie pushes the characters' feelings so overwhelmingly close to me that I feel uncomfortable. I don't really know how the director can make me feel like this, and I wonder whether he intentionally created that pleasant distance.
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