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End of Desire (1958)

Une vie (original title)
Normandy, second half of the nineteenth century. Jeanne Dandieu lives in a manor house with her parents and their servant Rosalie. She gets to know Julien, a handsome man, whom she soon ... See full summary »



(from the novel by), (adaptation) | 2 more credits »
1 nomination. See more awards »
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Un pêcheur
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Normandy, second half of the nineteenth century. Jeanne Dandieu lives in a manor house with her parents and their servant Rosalie. She gets to know Julien, a handsome man, whom she soon marries. Her happiness is short-lived as she finds out that not only has Julien married her for her money but he cheats on her as well, with Rosalie to crown it all. The latter gives birth to a baby girl before leaving the house. Six years later, Julien has a new mistress, Gilberte de Fourcheville. Jeanne puts up with this new ordeal bravely. However Gilbert's husband surprises the two lovers in a caravan and, in a rage, hurls them over the edge of a cliff. Written by Guy Bellinger

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Release Date:

24 September 1958 (France)  »

Also Known As:

End of Desire  »

Filming Locations:


Company Credits

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Technical Specs


Sound Mix:



Aspect Ratio:

1.66 : 1
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Did You Know?


Version of Naiskohtaloita (1947) See more »


Une Vie
Written and Performed by Roman Vlad And His Orchestra
Sung by Maria Schell
See more »

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User Reviews

This great movie offers a rare comfortable distance
4 December 2001 | by (Bangkok, Thailand) – See all my reviews

The use of colors in this movie is quite impressive. I think the colors are truly beautiful, and I feel the use of colors here is somehow different from other movies, but I can't quite tell exactly how it is different. I'm also impressed by another hard-to-describe aspect of this movie: the comfortable distance between the audience and the characters. I find myself enjoy watching this movie many times, though I'm not really interested in the story and these kinds of characters. Why do I enjoy watching it while feeling uninvolved in it? It is because I feel very comfortable watching it. I feel as if there is an emotional space of a very appropriate size separating me from the characters. I don't feel the characters' feelings are too far away from me that I lose interest in them, and nor do I feel the movie pushes the characters' feelings so overwhelmingly close to me that I feel uncomfortable. I don't really know how the director can make me feel like this, and I wonder whether he intentionally created that pleasant distance.

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