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Touch of Evil (1958)

PG-13 | | Crime, Drama, Film-Noir | February 1958 (USA)
A stark, perverse story of murder, kidnapping, and police corruption in a Mexican border town.

Director:

Writers:

(screenplay), (based on the novel "Badge Of Evil" by)
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Top Rated Movies #228 | 6 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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Marcia Linnekar
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Pancho (as Valentin De Vargas)
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Victor Millan ...
Lalo Rios ...
Risto
Michael Sargent ...
...
Blaine
...
Zita
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Storyline

Mexican Narcotics officer Ramon Miguel 'Mike' Vargas has to interrupt his honeymoon on the Mexican-US border when an American building contractor is killed after someone places a bomb in his car. He's killed on the US side of the border but it's clear that the bomb was planted on the Mexican side. As a result, Vargas delays his return to Mexico City where he has been mounting a case against the Grandi family crime and narcotics syndicate. Police Captain Hank Quinlan is in charge on the US side and he soon has a suspect, a Mexican named Manolo Sanchez. Vargas is soon onto Quinlan and his Sergeant, Pete Menzies, when he catches them planting evidence to convict Sanchez. With his new American wife, Susie, safely tucked away in a hotel on the US side of the border - or so he thinks - he starts to review Quinlan's earlier cases. While concentrating on the corrupt policeman however, the Grandis have their own plans for Vargas and they start with his wife Susie. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

The Strangest Vengeance Ever Planned! See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some violence and drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

February 1958 (USA)  »

Also Known As:

Badge of Evil  »

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Box Office

Budget:

$829,000 (estimated)

Opening Weekend USA:

$70,725, 13 September 1998, Limited Release

Gross USA:

$2,237,659, 3 January 1999
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

| (1998 alternate) | (1975 alternate) | (director's cut) | (DVD edition) | (restored)

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film takes place in a fictional Mexican border town, Los Robles, but was filmed in Venice, California, because the place looked convincingly run-down and decayed. See more »

Goofs

The car blown up in the opening scene has a completely different radiator grille and front bumper prior to the explosion. See more »

Quotes

[first lines]
Border Cop: Uh, you folks American citizens?
See more »

Crazy Credits

Opening statement (restored version): In 1957, Orson Welles completed principal photography on TOUCH OF EVIL and edited the first cut. Upon screening the film, the Studio felt it could be improved, shot additional scenes and re-edited it. Welles viewed this new version and within hours wrote a passionate 58-page memo requesting editorial changes. This version represents an attempt to honor those requests and make TOUCH OF EVIL the film Orson Welles envisioned it to be. "... I close this memo with a very earnest plea that you consent to this brief visual pattern to which I gave so many long hard days of work." -- Orson Welles See more »

Connections

Referenced in Psych: A Touch of Sweevil (2014) See more »

Soundtracks

Tana's Theme
(1958)
Written by Henry Mancini
Performed by United International Orchestra
Conducted by Joseph Gershenson
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Spellbinding thriller
8 November 1999 | by See all my reviews

There are only two ways to write a review that would truly do this film justice. Either one would have to write an exceedingly long review, or a short, concise one. I choose to do the latter.

When I first saw "Touch of Evil," I was glued to the chair. When I found out it was not Welles' definitive vision, I wondered how on earth it could have been made better. And when I saw the re-released version, I wondered why the studio altered it. The stunning black-and-white images, the intricate plot, and the powerful, engaging performances took a hold of my imagination. At times, I imagined myself on the street with the characters, because the atmosphere was so thick I felt surrounded in it.

The actors all did an outstanding job, especially Leigh and Heston (who, although not thoroughly convincing as a Mexican, soared above his usual powerful, furious presence). This is Welles' picture, however, and whenever the camera catches his obese figure, you are fully aware of the man as a director and an actor. His powerful vision drives the film, from the single-cut opening sequence to the cat-and-mouse finale.

I suggest watching the 1998 restored version over the original theatrical release, but regardless of which version, "Touch of Evil" will have you stuck in your seat, questioning your views of morality until long after the last credit has rolled up the screen.


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