When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates him with equipment that's therefore unavailable to aid a local hero, Dr. Wayne ... See full summary »
A struggling young actress with a six-year-old daughter sets up housekeeping with a homeless black widow and her light-skinned eight-year-old daughter who rejects her mother by trying to pass for white.
Wealthy Samuel Fulton is getting older and has no family of his own. He decides to leave his estate to the family of his first love, who turned down his marriage proposal years ago because ... See full summary »
In 1846 the actress Gloria Vane is the leading star at the Adelphi Theatre in London. She is in love with the destitute nobleman Albert Finsbury. He is leaving for Australia to become an ... See full summary »
In present-day U.S., Dr. Michael Parker, a prominent surgeon, unexpectedly runs into his German-born wife whom he thought was dead. Victor, an artist and his "dead" wife's now boyfriend, ... See full summary »
Convicted murderess Valerie Carns (Ann Blyth) is being transported to Norwich to be executed when a flood strands her and her guards at a convent hospital. Nurse Sister Mary (Claudette ... See full summary »
In 1904, Doc Tilbee, medicine show huckster and champion tall-tale teller, gives a ride to a young boy escaped from an orphanage, where bad conditions (the result of political graft) are ... See full summary »
Saloon entertainer Vermilion O'Toole and her former partner in crime Newt Cole escape from a train ride to prison and hide out in logging town Timberline. Meanwhile, the three 'cute' sons ... See full summary »
In 1944, a company of German soldiers on the Russian front are numbed by the horrors and hardships of war when Private Ernst Graeber's long awaited furlough comes through. Back home in Germany, he finds his home bombed. While hopelessly searching for his parents, he meets lovely Elizabeth Kruse, daughter of a political prisoner; together they try to wrest sanity and survival from a world full of hatred. Written by
Rod Crawford <firstname.lastname@example.org>
According to the Australian DVD sleeve notes, they state that Douglas Sirk's "standing amongst the new auteurist critics in Europe was on the rise, with Jean-Luc Godard writing on Sirk's 1957 film, A Time to Love and a Time to Die, in the influential journal 'Cahiers du Cinema'." See more »
Early in the movie when the platoon is dismissed, one of the soldiers is seen carrying a machine gun on his shoulder. It is clearly visible that there is no barrel inside the barrel shroud. See more »
...in this time of generalizations and terminally low attention spans (not to say inexistent historical memory) people who have been the hollywoodesque cartoonish image of all 1930/40s Germans to be goose-stepping-order-barking-black-uniformed-ss-genocidal-murders could have their insight skills sharpened a bit more by this movie directed by Detlef Sierck (his real name). Actually lots of people in the 3rd Reich must have felt like Sierck himself, who obviously loved his fatherland but hated the Nazis and the way they tried to rape and pervert the very idea of the 'german nation' to their twisted ends...and those who were not lucky enough to expatriate like he did would have lived like the protagonists of this drama, suffering through an unwanted war having to witness both the cruelty of the regime AND the devastations from the war that the regime forced upon its people (the political prisoners forced to clear rubble from the air raids is a TELLING scene indeed!). The only thing that upset me a bit was the censorship forced on the filmmaker which in several scenes has to resort to silly 'visual tricks' to 'avoid' showing swastikas (a tube blocking our sight over the Military Police gorget in one of the first scenes, the queer angle at which a NSDAP member crosses our p.o.v. in the restaurant scene so we can't see the front of his armband)....now think a bit...if a catastrophe strikes and leaves this movie the ONLY proof of semi-historical value regarding WW2 the historians of the future will be oblivious of the centrepiece of nazi imagery...how STUPID is that???
Down with censorship I say, either sexual, political, intellectual et al...
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