A psychically gifted young woman discovers a centuries-old crate buried on her aunt's ranch. Opening it, her family discovers the living head of Gideon Drew, a 16th century devil worshiper ...
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Prof. Erling and his financial backer Victor build a prototype time machine to snatch objects from the past. Latest find, a statuette, radiometrically dates to 5200 AD! When this draws ... See full summary »
A new planet moves into our solar system and four scientists (two couples) are sent to explore Planet Nova. In between romantic interludes, the cast faces an iguana masquerading as a Tyrannosaurus Rex.
Bert I. Gordon
A psychically gifted young woman discovers a centuries-old crate buried on her aunt's ranch. Opening it, her family discovers the living head of Gideon Drew, a 16th century devil worshiper who was beheaded by Sir Francis Drake. Written by
Jeremy Lunt <firstname.lastname@example.org>
When a group of people farming on their land stumble upon a mysterious crate buried in the ground, the removal of the object causes them to stumble onto the terrifying truth about it's contents when a body-less head starts running around the estate.
This was a pretty entertaining effort that has some good things to it that make it feel a lot better than it really should. The main thing here is the fact that the killer head is the main villain in this one, but rather than have him be the bloodthirsty creature he should be this one has him hypnotize those around him to do his dirty work so he can get his body back, and the film's decision to feature the hypnotized interacting with the unaffected others makes for some creepy scenes they attempt to manipulate them even further unwittingly towards the goal, and it's quite tense and creepy during these scenes. Also quite creepy are the scenes out in the cemetery where they unearth the crate in the darkness which feel quite like typical Gothic set-pieces that drive the creepiness up some, as well as the finale which generate some rather intense action scenes with the reanimated body running around make for some great thrills. It does take a while to start up here as the head doesn't get loose until quite late in the film for a quickie of this type, and some of the effects themselves look quite cheap, but the main problem is a rather disjointed storyline that never really makes a lot of sense overall as it careens between several different plot points that are interconnected through quite thin margins, making this somewhat flawed but overall enjoyable.
Today's Rating-PG: Violence.
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