Terror in a Texas Town (1958)

Approved  |   |  Western  |  September 1958 (USA)
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Ratings: 6.8/10 from 1,034 users  
Reviews: 32 user | 17 critic

A Swedish whaler is out for revenge when he finds out that a greedy oil man murdered his father for their land.



, (front for Dalton Trumbo) (as Ben L. Perry)
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Complete credited cast:
George Hansen
Ed McNeil
Carol Kelly ...
Eugene Mazzola ...
Pepe Mirada (as Eugene Martin)
Nedrick Young ...
Johnny Crale (as Ned Young)
Victor Millan ...
Jose Mirada
Deacon Matt Holmes
Marilee Earle ...
Mona Stacey


Sven Hanson is one of a number of farmers whom Ed McNeil wants to run off their land (because he knows there's oil on it). When Hanson is murdered by McNeil's gunman, Johnny Crale, Hanson's friend Pepe Mirada hides his knowledge of the murderer's identity in order to protect his family. When Hanson's son George arrives and takes up his father's cause, not only Mirada but also Johnny Crale begin to reevaluate their attitudes. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis


When the Texas Plains Ran With Blood and Black Gold!




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Release Date:

September 1958 (USA)  »

Also Known As:

Sturm über Texas  »

Filming Locations:


Box Office


$80,000 (estimated)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


| (DVD)

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
See  »

Did You Know?


This was the final feature film for director Joseph H. Lewis. He would spend much of the next decade directing television episodes before retiring from the industry. See more »


Referenced in Cinemania (2002) See more »

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User Reviews

ordinary movie, interesting style
14 September 1999 | by (Annandale, VA) – See all my reviews

In most respects, this is a completely unremarkable low-budget western. Greedy rich guy hires evil gunfighter to terrorize local farmers. Upstanding good guy arrives and it's just a matter of time before the final showdown. It's competently executed most of the time. Some of it is imaginative and some of it is predictably cliché. Contrary to what some other reviewers have written, the final showdown did not surprise me in the least. Die-hard western fans and followers of Sterling Hayden will want to view this, but I don't know about anyone else.

Except that it is successfully filmed in an interesting and unique style, as if it were a 1950's comic book or pulp-fiction novel brought to the screen. This is immediately apparent in the opening credits, with its teaser glimpse of the final scene and including the alliterative hyperbole of the title, and continues consistently throughout the film. Perhaps many little known low budget 1950s film accomplished this feat, but this is the only one I'm aware of that does it so well.

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