Chicago hotel clerk Frank Harris dreams of life as a cowboy, and he gets his chance when, jilted by the father of the woman he loves, he joins Tom Reece and his cattle-driving outfit. Soon,... See full summary »
Political corruption is vividly depicted as a ruthless WWI veteran takes almost complete control of a state with the help of a crooked lawyer. The film is enhanced by John Payne's persuasive performance as "The Boss."
Blaise Starrett is a rancher at odds with homesteaders when outlaws hold up the small town. The outlaws are held in check only by their notorious leader, but he is diagnosed with a fatal wound and the town is a powder keg waiting to blow.
Sven Hanson is one of a number of farmers whom Ed McNeil wants to run off their land (because he knows there's oil on it). When Hanson is murdered by McNeil's gunman, Johnny Crale, Hanson's friend Pepe Mirada hides his knowledge of the murderer's identity in order to protect his family. When Hanson's son George arrives and takes up his father's cause, not only Mirada but also Johnny Crale begin to reevaluate their attitudes. Written by
Jim Beaver <firstname.lastname@example.org>
In most respects, this is a completely unremarkable low-budget western. Greedy rich guy hires evil gunfighter to terrorize local farmers. Upstanding good guy arrives and it's just a matter of time before the final showdown. It's competently executed most of the time. Some of it is imaginative and some of it is predictably cliché. Contrary to what some other reviewers have written, the final showdown did not surprise me in the least. Die-hard western fans and followers of Sterling Hayden will want to view this, but I don't know about anyone else.
Except that it is successfully filmed in an interesting and unique style, as if it were a 1950's comic book or pulp-fiction novel brought to the screen. This is immediately apparent in the opening credits, with its teaser glimpse of the final scene and including the alliterative hyperbole of the title, and continues consistently throughout the film. Perhaps many little known low budget 1950s film accomplished this feat, but this is the only one I'm aware of that does it so well.
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