Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
James Gannon, the hardboiled city editor of a newspaper, believes that the only way to learn the business is by way of the School of Hard Knocks, and has a very low regard for college-taught journalism, so he's not pleased when his managing editor orders him to help Erica Stone, a college professor, with her journalism class. Finding himself attracted to her, he pretends to be a student in her class, not revealing he's Gannon, whom she despises. As they bob and weave around their mutual growing attraction, they both begin to gain respect for each other's approaches to reporting news, but how will Erica react when she finds out who he really is? Written by
Ed Sutton <email@example.com>
The script by Fay Kanin and Michael Kanin was first written as a drama. When they were turned down by every studio they submitted it to, they rewrote it as a comedy. Paramount Studios immediately purchased the property. See more »
When Gannon is in Dr. Pine's kitchen getting a drink, a cabinet is opened with the open door located right behind Gannon's head. When the scene cuts to a shot showing the kitchen from the living room, the open cabinet door is nowhere in sight. See more »
[while reading the Eureka Bulletin]
Joel Barlow Stone. I'm sorry, but you stink!
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One of the best comedies ever, which the critics overlooked, of course. There are many witty one-liners:
"Education teaches a man how to spell experience...A psychologist is a person who gives all kinds of advice about matters he knows nothing about...A reporter has to do a lot of sweating before he has the right to perspire...There goes the unpressed gentleman of the press...College is amateurs teaching amateurs how to be amateurs...".
Some scenes are incredibly risqué. Gable bluntly asks Doris "How do you feel about sex?" He repeatedly ogles, grabs and kisses her. Today he would be in trouble for it.
Ah, the good old days of real honest to goodness movie-making! This is a truly priceless comedy. I have seen it five times, and can see it five more times. When the screenplay is good, everyone is inspired. Doris is absolutely brilliant, a genius of timing. This lady is way too underrated. There is NO ONE like her. She even sings the thrilling song to perfection. The plot does have its unintentionally funny aspects: Doris preferring uncouth elderly Gable to dashing and debonaire young intellectual Gig Young
and what's more, Young not minding it!!! The plot would have been better
if Gable had been politely rejected. There is an unfortunate tendency in too many movies to assume that even the homeliest and oldest man deserves a young woman, that women over 35 couldn't possibly delight any real man. The movie is also a trifle pedantic and conventional in idolizing college education, as if a degree were all that. There is a serious message to the movie, but one enjoys the comedy more.
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