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Stage Struck (1958)

Approved  |   |  Drama, Romance  |  22 April 1958 (USA)
6.1
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Ratings: 6.1/10 from 424 users  
Reviews: 15 user | 9 critic

A young woman arrives in New York City determined to become a great theatrical star, but discovers that her goal may not be as easily attainable as she had hoped.

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(screen play), (screen play), 1 more credit »
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Title: Stage Struck (1958)

Stage Struck (1958) on IMDb 6.1/10

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Cast

Complete credited cast:
...
...
...
Rita Vernon
Herbert Marshall ...
Robert Harley Hedges
...
Daniel Ocko ...
Constantine
...
Benny (as Pat Harrington)
Frank Campanella ...
Victor
...
Adrian
Pat Englund ...
Gwen Hall
...
Frank
Sally Gracie ...
Elizabeth
Nina Hansen ...
Regina
Harold Grau ...
Stage Doorman
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Storyline

The movie tells the story of Eva, a girl who comes to New York in order to become a great actress. With hard work she succeeds in working at a theatre and finally gets her chance on stage after a lot of changes and difficulties. Written by Volker Boehm

Plot Summary | Add Synopsis

Taglines:

Ten thousand girls dream her dream every night.

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

22 April 1958 (USA)  »

Also Known As:

Eines Tages öffnet sich die Tür  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

This was one of the last films theatrically released by RKO, and one of the increasingly fewer theatrical films made after the coming of wide screen to be shot in the old "Academy ratio" (1.37: 1). See more »

Quotes

Lewis Easton: [to Eva] You're a hungry little girl - the theater's offering you a feast.
See more »

Connections

References The Big Land (1957) See more »

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User Reviews

 
Like Watching a Train Wreck, You Just Can't Turn Away
24 August 2008 | by (Second Star on the Right, Straight on 'Til Morning) – See all my reviews

Some people are born with talent. Some can acquire it. Others can take all the lessons in the world, and still not grasp that elusive "it". And that's the problem with Susan Strasberg's performance: she clearly understands the nuances and subtleties of acting, but cannot connect that knowledge to the empathy and passion an actor must have to be believable in their role.

When at the party, Eva Lovelace recites the balcony scene from "Romeo & Juliet", and the guests become transfixed, I was never sure if they were staring in awe or horror. Strasberg pauses and reflects on her words perfectly -- at these moments, one could believe she's Juliet watching and waiting for her lover's answers. But when she recites the words -- and a recitation is all it is -- the fire, the passion of Juliet for Romeo is non-existent. She could just as easily have been telling the doorman to call her a cab.

The most interesting aspect of the film was in watching the various methods of acting being presented. Herbert Marshall (who started in silents and early talkies), Henry Fonda (who started in film in the 1930s) and Christopher Plummer (one of the new method actors) are all believable in their roles and mesh seamlessly together. Then there's Strasberg, who is incapable of presenting even a fraction of the range of any of her co-stars. (Frankly, I didn't make the connection between her and her father, and wondered who she knew to have secured the role.) The film is interesting as a curio piece, and Lumet's brilliance in portraying New York's scenery. But as a moving story about the theatre, it can't touch "All About Eve".


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