Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
Chinese stowaway Mei Li (Miyoshi Umeki) arrives in San Francisco with her father to meet her fiancé, wealthy nightclub owner Sammy Fong (Jack Soo), in an arranged marriage, but the groom ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama. Written by
Dale O'Connor <firstname.lastname@example.org>
Because Giorgio Tozzi is credited as a cast member in the opening credits, but NOT in the end credits, the ordered opening credits are listed first, followed by all the ordered end credits not listed in the opening credits. See more »
When Nellie asks Captain Brackett if the "Frenchman" on the island she's heard about from all the pilots in the hospital is "her Frenchman," there's a complete mismatch between what she says and the movement of her lips. See more »
There are probably more dubbed singing voices in this film than in any other screen version of a Rodgers and Hammerstein musical, but the only one which actually receives screen credit is that of Giorgio Tozzi, who dubs the singing voice of Emile de Becque (Rosanno Brazzi). This is because Tozzi was a renowned bass-baritone with the Metropolitan Opera. See more »
This is my favorite R&H musical and I play the original Broadway s/t frequently because I love Pinza.
I agree with an earlier poster who commented that Mary Martin was much too old and earthy for the young innocent Nellie. Mitzi Gayner was perfect. I also love the different hues for the singing. It does give the movie a different feel to it.
Of all the R&H musicals, this one was the best to transfer to the screen (with exception of King and I). Too bad they can't find a complete reel of the latter movie.
And my favorite song from the show/movie is This Nearly Was Mine, a heartbreaking song if there ever was one. Pinza breaks my heart on the OBC recording. Tozzi is good, too, but Pinza is the peak.
And R&H were pressured to drop You've Got to be Carefully Taught and they refused. The racial prejudice runs right through the picture without hitting you over the head with it and it was way ahead of its time. But then the book was written by James Michener who had an Asian wife and who knew about prejudice.
I love this movie -- still!
17 of 21 people found this review helpful.
Was this review helpful to you?