During World War II in the South Pacific love is found between a young nurse, Nellie Forbush (Glenn Close) and an older French plantation owner, Emile de Becque (Rade Serbedzija). The war ... See full summary »
Harry Connick Jr.,
Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
A documentary series on life in and adapted to the conditions of the Southern part of the Pacific Ocean, a vast aquatic region with an unequaled number of islands. Both wildlife and human ... See full summary »
Chinese stowaway Mei Li (Miyoshi Umeki) arrives in San Francisco with her father to meet her fiancé, wealthy nightclub owner Sammy Fong (Jack Soo), in an arranged marriage, but the groom ... See full summary »
Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama. Written by
Dale O'Connor <email@example.com>
Concerned that the film's lush tropical settings would appear unnatural in Technicolor, and partially to cover up the fluctuations in weather during the shoot, director Joshua Logan hoped to soften the effect by filming several scenes through the newly available colored filters. He later indicated he considered this to be the biggest mistake he had made in his filming career. He wanted the filters to be subtler, but he says that the film processing lab had made them more extreme than he liked. There was no time to re-shoot without them or replace them because the film was a roadshow and tickets had been booked months in advance. See more »
Although the cockpit of the seaplane appears to have all its glass shot out, the crew never show any effect from the wind that would be whipping through. See more »
There are probably more dubbed singing voices in this film than in any other screen version of a Rodgers and Hammerstein musical, but the only one which actually receives screen credit is that of Giorgio Tozzi, who dubs the singing voice of Emile de Becque (Rosanno Brazzi). This is because Tozzi was a renowned bass-baritone with the Metropolitan Opera. See more »
While I was too young to have seen the original Broadway production - and thus that might account for the previous criticism posted above - I think the fault lies with the reviewer (seeing a 1950's musical in 1990's terms).
The lighting, so criticized, added and accented the moods of the film as few films did at the time. The music, possibly without match in an American musical, fit the moods equally well - taking the viewer from the high tensions of the Young Lovers or of the eventual return of Emile. At the same time, the bawdy humorous numbers add temporary humor while the tension of the story line mounts.
Socially, the themes of race and general human cruelty are delivered to the audience without them even noticing. Something in which so many of the modern-day productions fail miserably.
Truly the most complete American musical on many levels!
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