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South Pacific (1958)

Unrated  |   |  Musical, Romance, War  |  14 April 1958 (Brazil)
7.0
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Ratings: 7.0/10 from 5,598 users  
Reviews: 104 user | 33 critic

On a South Pacific island during World War II, love blooms between a young nurse and a secretive Frenchman who's being courted for a dangerous military mission.

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(screenplay), (adapted from the play "South Pacific"), 3 more credits »
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Title: South Pacific (1958)

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Won 1 Oscar. Another 9 nominations. See more awards »

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Edit

Cast

Cast overview, first billed only:
...
...
...
...
Juanita Hall ...
...
Russ Brown ...
Jack Mullaney ...
The Professor
...
Stewpot
Floyd Simmons ...
Candace Lee ...
Warren Hsieh ...
Jerome - Emile's Child
...
Giorgio Tozzi ...
Emile De Becque (singing voice)
Archie Savage ...
Chief - Boar's Tooth Ceremonial Dancer / Ceremonial Dance Chief
Edit

Storyline

Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Taglines:

There is nothing you can name that is anything like... [South Pacific] See more »

Genres:

Musical | Romance | War

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

14 April 1958 (Brazil)  »

Also Known As:

Al sur del Pacífico  »

Filming Locations:

 »

Box Office

Budget:

$6,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (roadshow)

Sound Mix:

(35 mm mag-optical prints)| (35 mm optical prints)| (Westrex Recording System) (70 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
Edit

Did You Know?

Trivia

Concerned that the film's lush tropical settings would appear unnatural in Technicolor, and partially to cover up the fluctuations in weather during the shoot, director Joshua Logan hoped to soften the effect by filming several scenes through the newly available colored filters. He later indicated he considered this to be the biggest mistake he had made in his filming career. He wanted the filters to be subtler, but he says that the film processing lab had made them more extreme than he liked. There was no time to re-shoot without them or replace them because the film was a roadshow and tickets had been booked months in advance. See more »

Goofs

Although the cockpit of the seaplane appears to have all its glass shot out, the crew never show any effect from the wind that would be whipping through. See more »

Quotes

Nellie: What a pinhead I was!
See more »

Crazy Credits

There are probably more dubbed singing voices in this film than in any other screen version of a Rodgers and Hammerstein musical, but the only one which actually receives screen credit is that of Giorgio Tozzi, who dubs the singing voice of Emile de Becque (Rosanno Brazzi). This is because Tozzi was a renowned bass-baritone with the Metropolitan Opera. See more »

Connections

Referenced in Mystery Science Theater 3000: Zombie Nightmare (1994) See more »

Soundtracks

This Nearly Was Mine
(1949) (uncredited)
Lyrics by Oscar Hammerstein II
Music by Richard Rodgers
Performed by Rossano Brazzi (dubbed by Giorgio Tozzi)
See more »

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User Reviews

 
Possibly the most complete musical ever made
28 February 2005 | by (Finland) – See all my reviews

While I was too young to have seen the original Broadway production - and thus that might account for the previous criticism posted above - I think the fault lies with the reviewer (seeing a 1950's musical in 1990's terms).

The lighting, so criticized, added and accented the moods of the film as few films did at the time. The music, possibly without match in an American musical, fit the moods equally well - taking the viewer from the high tensions of the Young Lovers or of the eventual return of Emile. At the same time, the bawdy humorous numbers add temporary humor while the tension of the story line mounts.

Socially, the themes of race and general human cruelty are delivered to the audience without them even noticing. Something in which so many of the modern-day productions fail miserably.

Truly the most complete American musical on many levels!


23 of 31 people found this review helpful.  Was this review helpful to you?

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