An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
During World War II in the South Pacific love is found between a young nurse, Nellie Forbush (Glenn Close) and an older French plantation owner, Emile de Becque (Rade Serbedzija). The war ... See full summary »
Harry Connick Jr.,
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
The story of the marriage of England's King Arthur to Guinevere. The plot of illegitimate Mordred to gain the throne and Guinevere's growing attachment to Sir Lancelot, threaten to topple Arthur and destroy his "round table" of knights.
Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama. Written by
Dale O'Connor <email@example.com>
Two numbers are strung together at the end of the soundtrack album. The Act I Finale is spliced onto the final reprise of "Dites Moi", so that this final track would be longer and the album would end triumphantly with Emile and Nellie reprising "Some Enchanted Evening". This was also done on the 1949 original Broadway cast album. Both the show and the film end with the reprise of "Dites Moi", but no singing afterwards, just the orchestral playing. See more »
During "A Wonderful Guy," there's a part when Mitzi Gaynor's lips aren't synchronized with the music whatsoever. See more »
There are probably more dubbed singing voices in this film than in any other screen version of a Rodgers and Hammerstein musical, but the only one which actually receives screen credit is that of Giorgio Tozzi, who dubs the singing voice of Emile de Becque (Rosanno Brazzi). This is because Tozzi was a renowned bass-baritone with the Metropolitan Opera. See more »
U.S. Marine Corps Hymn
(also called "The Marines' Hymn")
Music by Jacques Offenbach from "Genevieve de Brabant" (1868)
Sung by the men during the "Honey Bun" number See more »
While I was too young to have seen the original Broadway production - and thus that might account for the previous criticism posted above - I think the fault lies with the reviewer (seeing a 1950's musical in 1990's terms).
The lighting, so criticized, added and accented the moods of the film as few films did at the time. The music, possibly without match in an American musical, fit the moods equally well - taking the viewer from the high tensions of the Young Lovers or of the eventual return of Emile. At the same time, the bawdy humorous numbers add temporary humor while the tension of the story line mounts.
Socially, the themes of race and general human cruelty are delivered to the audience without them even noticing. Something in which so many of the modern-day productions fail miserably.
Truly the most complete American musical on many levels!
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