Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
During World War II in the South Pacific love is found between a young nurse, Nellie Forbush (Glenn Close) and an older French plantation owner, Emile de Becque (Rade Serbedzija). The war ... See full summary »
Harry Connick Jr.,
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama. Written by
Dale O'Connor <email@example.com>
Juanita Hall, who had played Bloody Mary in the original Broadway production, obviously sang her own songs onstage, but was dubbed in the film version at the request of composer Richard Rodgers. Rodgers and musical director Alfred Newman brought in Muriel Smith (who had played Bloody Mary in London). See more »
In numerous outdoor scenes in the movie, the sky in the background changes from clear to partly cloudy to overcast to rain clouds between shots, indicating that the scenes were filmed over several days with different weather each day. See more »
[referring to racial prejudice]
This is something that's born in me!
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There are probably more dubbed singing voices in this film than in any other screen version of a Rodgers and Hammerstein musical, but the only one which actually receives screen credit is that of Giorgio Tozzi, who dubs the singing voice of Emile de Becque (Rosanno Brazzi). This is because Tozzi was a renowned bass-baritone with the Metropolitan Opera. See more »
As Corny As Kansas In August, But High As A Flag On The Fourth of July
Commence groaning as necessary for that summary, but at least prepare to be dazzled by R&H's most amazing, underrated musical of all time.
The love story is between a spirited young Navy nurse and an older French planter who's afraid of losing anything. While that makes for some very groan-friendly moments, everything is forgiven when you peer through the weird, multi-colored lenses and pay attention to what's actually going on: a fantastic story (besides the romance) is unfolding. It's the story of a world where everything is changing, and the road down that way could not have been better.
There's lots to love here, so don't be distracted by what you can use to maul this movie. The performances are great, the songs are probably the only songs I've never minded having looped in my head that weren't written by Richard O'Brien, and the beauty of the South Pacific is something that would be amazing to behold anywhere from a majestic silver screen to a tiny little kitchen-table TV set.
As far as musicals go, this is one of my all-time favorites and should be the same for more people.
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