During World War II in the South Pacific love is found between a young nurse, Nellie Forbush (Glenn Close) and an older French plantation owner, Emile de Becque (Rade Serbedzija). The war ... See full summary »
Harry Connick Jr.,
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Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
A documentary series on life in and adapted to the conditions of the Southern part of the Pacific Ocean, a vast aquatic region with an unequaled number of islands. Both wildlife and human ... See full summary »
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Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama. Written by
Dale O'Connor <firstname.lastname@example.org>
The soundtrack album for the film was the first Richard Rodgers and Oscar Hammerstein II film soundtrack to be issued in stereo the same year that the mono version was issued. (Because stereo LP's were not possible until 1958, the movie soundtrack albums of Oklahoma! (1955), Carousel (1956) and The King and I (1956) were issued in mono between 1955 and 1956, the stereo versions in 1958.) See more »
In the beginning of the film, the controls of the pilot and co-pilot are not really linked. It's obvious that the pilot is turning the wheel but the co-pilots is not in sync. It's turned by an unseen hand. See more »
[Cable has been told that Nellie is in love with Emile]
That's hard to believe, sir; they tell me he's a middle-aged man.
Capt. George Brackett:
Cable, it is a common mistake for boys of your age and athletic ability to underestimate men who have reached their maturity. Young women frequently find older men attractive, strange as it may seem. I myself am over fifty. I am a bachelor. And Cable, I do not, by any means, consider myself th-r-rough.
[to Harbison, who is trying not to laugh]
Capt. George Brackett:
What's the matter, Bill?
Cmdr. Bill Harbison:
[...] See more »
There are probably more dubbed singing voices in this film than in any other screen version of a Rodgers and Hammerstein musical, but the only one which actually receives screen credit is that of Giorgio Tozzi, who dubs the singing voice of Emile de Becque (Rosanno Brazzi). This is because Tozzi was a renowned bass-baritone with the Metropolitan Opera. See more »
While I was too young to have seen the original Broadway production - and thus that might account for the previous criticism posted above - I think the fault lies with the reviewer (seeing a 1950's musical in 1990's terms).
The lighting, so criticized, added and accented the moods of the film as few films did at the time. The music, possibly without match in an American musical, fit the moods equally well - taking the viewer from the high tensions of the Young Lovers or of the eventual return of Emile. At the same time, the bawdy humorous numbers add temporary humor while the tension of the story line mounts.
Socially, the themes of race and general human cruelty are delivered to the audience without them even noticing. Something in which so many of the modern-day productions fail miserably.
Truly the most complete American musical on many levels!
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