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South Pacific (1958)

Unrated | | Musical, Romance, War | 14 April 1958 (Brazil)
On a South Pacific island during World War II, love blooms between a young nurse and a secretive Frenchman who's being courted for a dangerous military mission.

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Writers:

(screenplay), (adapted from the play "South Pacific") | 3 more credits »
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Cast

Cast overview, first billed only:
...
...
...
...
Juanita Hall ...
...
Russ Brown ...
...
The Professor
...
Stewpot
Floyd Simmons ...
Candace Lee ...
Warren Hsieh ...
Jerome - Emile's Child
...
Giorgio Tozzi ...
Emile De Becque (singing voice)
Archie Savage ...
Chief - Boar's Tooth Ceremonial Dancer / Ceremonial Dance Chief
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Storyline

Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Taglines:

In the thrilling tradition of "Around The World In 80 Days"... See more »

Genres:

Musical | Romance | War

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

14 April 1958 (Brazil)  »

Also Known As:

Al sur del Pacífico  »

Filming Locations:

 »

Box Office

Budget:

$6,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (roadshow)

Sound Mix:

(35 mm mag-optical prints)| (35 mm optical prints)| (Westrex Recording System) (70 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

Two numbers are strung together at the end of the soundtrack album. The Act I Finale is spliced onto the final reprise of "Dites Moi", so that this final track would be longer and the album would end triumphantly with Emile and Nellie reprising "Some Enchanted Evening". This was also done on the 1949 original Broadway cast album. Both the show and the film end with the reprise of "Dites Moi", but no singing afterwards, just the orchestral playing. See more »

Goofs

At least two of the sailors are black. The Armed Forces were not desegregated until 1948, three years after WW2 ended. See more »

Quotes

Emile de Becque: What makes her talk like that - you and she? I do not believe it is born in you! I do not believe it!
Lt. Cable: It's not born in you - it happens after you're born!
See more »

Crazy Credits

There are probably more dubbed singing voices in this film than in any other screen version of a Rodgers and Hammerstein musical, but the only one which actually receives screen credit is that of Giorgio Tozzi, who dubs the singing voice of Emile de Becque (Rosanno Brazzi). This is because Tozzi was a renowned bass-baritone with the Metropolitan Opera. See more »

Connections

Featured in Getaway: Episode #17.33 (2008) See more »

Soundtracks

I'm Gonna Wash That Man Right Outta My Hair
(1949) (uncredited)
Lyrics by Oscar Hammerstein II
Music by Richard Rodgers
Performed by Mitzi Gaynor and Women's Chorus
See more »

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User Reviews

'South Pacific?' It's Terrific.
9 February 2002 | by (Flamborough, Ontario, Canada.) – See all my reviews

When are folks going to give 'South Pacific' an even break? It's a wonderful film. A great big, colourful, emotional wallow, filled with romance, song, splendor, humor, and expert acting. Sure the colour filters are somewhat jarring. Blame it on the awful prints now (and it seems, forever) in circulation. Back in June 1958 the Films and Filming reviewer put it this way, "Logan has hit on the ingenious idea of using colour rather in the way that a composer underscores a films drama with music. As the emotions of his characters find their expression in music, so the cold clear tones of reality dissolve into the warm yellow and red hues of fantasy. I found this a wholly acceptable compromise, and many of the effects (indeed the whole level of the Todd-AO photography) were outstandingly good." Works for me to

  • and goodness knows I've seen them often enough. It also worked for the


millions of cinemagoers who flocked to see the film - over and over again. Mind you, had Logan decided to supervise all aspects of the cutting etc., instead of trotting off to direct 'Blue Denim,' Fox might, possibly, have been persuaded to remove the filters before release? Perhaps, with film preservation on so many agendas these days, some of this colour-filter-exasperation could be channeled in that direction.

Now, regarding all this rubbish about 'South Pacific' being a financial and critical disaster? How? In Great Britain, where it had a four-and-a-half year run at the Dominion Theater in London, it recouped three times its negative cost before going into general release. It ran for three-and-a-half years in Sydney and Copenhagen. For over two years in NYC. It even broke box office records in Salt Lake for goodness sake. And this is just the tip of the successful iceberg. The critics? Sure there were dissenters, there always are, for any film. Most, however, echoed the headline which ran in London's Daily Mirror, 'South Pacific is just terrific.'

Which brings me to my final irritation, the casting of Mitzi Gaynor as Nellie Forbush. The delicious Mitzi is bloody marvelous in 'South Pacific.' She gives a beautifully multi-layered performance filled with truth and honesty. Her Nellie is real, human, and natural. In scene after scene this immensely talented actress subtly conveys, with humor and great sensitivity, her character's ever-changing moods. And, again, from NYC's Daily News to London's Daily Express, by way of Picturegoer and Films in Review, the majority of critcs agreed that, "Mitzi doesn't leave a palm-leaf on the trees when she goes into action."

'South Pacific?' It really is terrific.


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