6.9/10
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South Pacific (1958)

Unrated | | Musical, Romance, War | 14 April 1958 (Brazil)
On a South Pacific island during World War II, love blooms between a young nurse and a secretive Frenchman who's being courted for a dangerous military mission.

Director:

Writers:

(screenplay), (adapted from the play "South Pacific") | 3 more credits »
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Won 1 Oscar. Another 10 nominations. See more awards »

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During World War II in the South Pacific love is found between a young nurse, Nellie Forbush (Glenn Close) and an older French plantation owner, Emile de Becque (Rade Serbedzija). The war ... See full summary »

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Cast

Cast overview, first billed only:
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...
...
...
...
...
...
...
The Professor
...
Stewpot
Floyd Simmons ...
Candace Lee ...
Warren Hsieh ...
Jerome - Emile's Child
...
Giorgio Tozzi ...
Emile De Becque (singing voice)
Archie Savage ...
Chief - Boar's Tooth Ceremonial Dancer / Ceremonial Dance Chief
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Storyline

Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Taglines:

In the thrilling tradition of "Around The World In 80 Days"... See more »

Genres:

Musical | Romance | War

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

14 April 1958 (Brazil)  »

Also Known As:

Al sur del Pacífico  »

Filming Locations:

 »

Box Office

Budget:

$6,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (roadshow)

Sound Mix:

(35 mm mag-optical prints)| (35 mm optical prints)| (Westrex Recording System) (70 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

Concerned that the film's lush tropical settings would appear unnatural in Technicolor, and partially to cover up the fluctuations in weather during the shoot, director Joshua Logan hoped to soften the effect by filming several scenes through the newly available colored filters. He later indicated he considered this to be the biggest mistake he had made in his filming career. He wanted the filters to be subtler, but he says that the film processing lab had made them more extreme than he liked. There was no time to re-shoot without them or replace them because the film was a roadshow and tickets had been booked months in advance. See more »

Goofs

Although the cockpit of the seaplane appears to have all its glass shot out, the crew never show any effect from the wind that would be whipping through. See more »

Quotes

Nellie: What a pinhead I was!
See more »

Crazy Credits

There are probably more dubbed singing voices in this film than in any other screen version of a Rodgers and Hammerstein musical, but the only one which actually receives screen credit is that of Giorgio Tozzi, who dubs the singing voice of Emile de Becque (Rosanno Brazzi). This is because Tozzi was a renowned bass-baritone with the Metropolitan Opera. See more »

Connections

Referenced in Brothers & Sisters: History Repeating (2007) See more »

Soundtracks

A Wonderful Guy
(1949) (uncredited)
Lyrics by Oscar Hammerstein II
Music by Richard Rodgers
Performed by Mitzi Gaynor and Women's Chorus
See more »

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User Reviews

 
New 70MM Re-Release and Restored DVD!
7 September 2005 | by (Australia) – See all my reviews

This film is due to be re-released in 70MM for limited engagements next year. A new restored DVD is also being prepared by Twentieth Century Fox Home Entertainment which includes scenes that were cut back in 1958. Somebody commented recently about the fact that "lap-dissolves" were used between many scenes in this film and this person obviously felt that this was some kind of fault. This was a common editing technique utilized in the past and was used usually to signify the passage of time. It is rarely used these days and obviously that person has not encountered this technique before and has assumed that it is a fault, but this is not the case.

I am curious to know if the new transfer will feature the Broadway continuity(the Emile-Nellie Plantation scene before the "Bloody Mary" scene)? I hope it is an anamorphic transfer?


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