Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
During World War II in the South Pacific love is found between a young nurse, Nellie Forbush (Glenn Close) and an older French plantation owner, Emile de Becque (Rade Serbedzija). The war ... See full summary »
Harry Connick Jr.,
Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
Chinese stowaway Mei Li (Miyoshi Umeki) arrives in San Francisco with her father to meet her fiancé, wealthy nightclub owner Sammy Fong (Jack Soo), in an arranged marriage, but the groom ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
The story of the marriage of England's King Arthur to Guinevere. The plot of illegitimate Modred to gain the throne and Guinevere's growing attachment to Sir Lancelot, threaten to topple Arthur and destroy his "round table" of knights.
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »
Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama. Written by
Dale O'Connor <email@example.com>
The original Broadway production of "South Pacific" opened at the Majestic Theater on April 7, 1949, ran for 1925 performances starring Mary Martin as Nellie Forbush and Ezio Pinza as Emile de Becque, and won the 1950 Tony Award for the Best Musical, Libretto and Score. Both stars won the Tony Award for Best Actor and Best Actress in a Musical. Juanita Hall reprises her role as Bloody Mary in the movie. See more »
When Luther Billis is in the lifeboat being fired upon by Japanese troops, the rear of the lifeboat shows its manufacturing date as 'APR 1956'. See more »
There are probably more dubbed singing voices in this film than in any other screen version of a Rodgers and Hammerstein musical, but the only one which actually receives screen credit is that of Giorgio Tozzi, who dubs the singing voice of Emile de Becque (Rosanno Brazzi). This is because Tozzi was a renowned bass-baritone with the Metropolitan Opera. See more »
When are folks going to give 'South Pacific' an even break? It's a wonderful film. A great big, colourful, emotional wallow, filled with romance, song, splendor, humor, and expert acting. Sure the colour filters are somewhat jarring. Blame it on the awful prints now (and it seems, forever) in circulation. Back in June 1958 the Films and Filming reviewer put it this way, "Logan has hit on the ingenious idea of using colour rather in the way that a composer underscores a films drama with music. As the emotions of his characters find their expression in music, so the cold clear tones of reality dissolve into the warm yellow and red hues of fantasy. I found this a wholly acceptable compromise, and many of the effects (indeed the whole level of the Todd-AO photography) were outstandingly good." Works for me to
and goodness knows I've seen them often enough. It also worked for the
millions of cinemagoers who flocked to see the film - over and over again. Mind you, had Logan decided to supervise all aspects of the cutting etc., instead of trotting off to direct 'Blue Denim,' Fox might, possibly, have been persuaded to remove the filters before release? Perhaps, with film preservation on so many agendas these days, some of this colour-filter-exasperation could be channeled in that direction.
Now, regarding all this rubbish about 'South Pacific' being a financial and critical disaster? How? In Great Britain, where it had a four-and-a-half year run at the Dominion Theater in London, it recouped three times its negative cost before going into general release. It ran for three-and-a-half years in Sydney and Copenhagen. For over two years in NYC. It even broke box office records in Salt Lake for goodness sake. And this is just the tip of the successful iceberg. The critics? Sure there were dissenters, there always are, for any film. Most, however, echoed the headline which ran in London's Daily Mirror, 'South Pacific is just terrific.'
Which brings me to my final irritation, the casting of Mitzi Gaynor as Nellie Forbush. The delicious Mitzi is bloody marvelous in 'South Pacific.' She gives a beautifully multi-layered performance filled with truth and honesty. Her Nellie is real, human, and natural. In scene after scene this immensely talented actress subtly conveys, with humor and great sensitivity, her character's ever-changing moods. And, again, from NYC's Daily News to London's Daily Express, by way of Picturegoer and Films in Review, the majority of critcs agreed that, "Mitzi doesn't leave a palm-leaf on the trees when she goes into action."
'South Pacific?' It really is terrific.
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