| Frank Sinatra | ... | Dave Hirsh | |
| Dean Martin | ... | Bama Dillert | |
| Shirley MacLaine | ... | Ginnie Moorehead | |
| Martha Hyer | ... | Gwen French | |
| Arthur Kennedy | ... | Frank Hirsh | |
| Nancy Gates | ... | Edith Barclay | |
| Leora Dana | ... | Agnes Hirsh | |
| Betty Lou Keim | ... | Dawn Hirsh | |
| Larry Gates | ... | Professor Robert Haven French | |
| Steve Peck | ... | Raymond Lanchak (as Steven Peck) | |
| Connie Gilchrist | ... | Jane Barclay | |
| Ned Wever | ... | Smitty | |
| rest of cast listed alphabetically: | |||
| Jan Arvan | ... | Nightclub Manager (uncredited) | |
| George Brengel | ... | Ned Deacon (uncredited) | |
| John Brennan | ... | Wally Dennis (uncredited) | |
| Tom Buening | ... | Student (uncredited) | |
| George Cisar | ... | Hubie Nelson (uncredited) | |
| Carole Conn | ... | Cigarette Girl (uncredited) | |
| Chuck Courtney | ... | Parkman Hotel Clerk (uncredited) | |
| Sheryl Deauville | ... | Julia, Solo Dancer in Bar (uncredited) | |
| Roy Engel | ... | Sheriff (uncredited) | |
| Franklyn Farnum | ... | Passerby Outside Bar (uncredited) | |
| Joe Gray | ... | Minor Role (uncredited) | |
| Don Haggerty | ... | Ted Harperspoon (uncredited) | |
| Anthony Jochim | ... | Judge Baskin (uncredited) | |
| James Jones | ... | Crew Cut Man Playing Poker (uncredited) | |
| Paul Jones | ... | George Huff (uncredited) | |
| Donald Kerr | ... | Waiter at Smitty's (uncredited) | |
| Harold Lakeman | ... | Minor Role (uncredited) | |
| Len Lesser | ... | Indianapolis Poker Player (uncredited) | |
| William Lockridge | ... | Bus Driver (uncredited) | |
| Joe McKenna | ... | Minor Role (uncredited) | |
| Denny Miller | ... | Dewey Cole (uncredited) | |
| Frank Mitchell | ... | Nightclub Waiter (uncredited) | |
| Carmen Phillips | ... | Rosalie - Bama's Girl (uncredited) | |
| Janelle Richards | ... | Virginia Stevens (uncredited) | |
| Ric Roman | ... | Joe (uncredited) | |
| Marion Ross | ... | Sister Mary Joseph (uncredited) | |
| William Schallert | ... | Al - Jewelry Store Clerk (uncredited) | |
| Charles Schulte | ... | Bus Driver (uncredited) | |
| Diane Signore | ... | Minor Role (uncredited) | |
| George E. Stone | ... | Slim (uncredited) | |
| Albert T. Viola | ... | Guitarist (uncredited) | |
| Geraldine Wall | ... | Mrs. Stevens (uncredited) | |
| Dave White | ... | Bus Driver (uncredited) | |
| John Wurtz | ... | Minor Role (uncredited) | |
Directed by | |||
| Vincente Minnelli | |||
Writing credits | ||
| James Jones | (novel "Some Came Running") | |
| John Patrick | (writer) & | |
| Arthur Sheekman | (writer) | |
Produced by | |||
| Sol C. Siegel | .... | producer (uncredited) | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| William H. Daniels | |||
Film Editing by | |||
| Adrienne Fazan | |||
Casting by | |||
| Bobby Webb | (uncredited) | ||
Art Direction by | |||
| William A. Horning | |||
| Urie McCleary | |||
Set Decoration by | |||
| Henry Grace | |||
| Robert Priestley | |||
Costume Design by | |||
| Walter Plunkett | |||
Makeup Department | |||
| William Tuttle | .... | makeup artist | |
| Lauren Cosand | .... | makeup man (uncredited) | |
| Bernard Ponedel | .... | makeup man (uncredited) | |
| Jane Rinck | .... | body makeup (uncredited) | |
| Josephine Sweeney | .... | hairdresser (uncredited) | |
| Jack Wilson | .... | makeup man (uncredited) | |
Production Management | |||
| Dave Friedman | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| William McGarry | .... | assistant director | |
| Tom McCrory | .... | second assistant director (uncredited) | |
| Kurt Neumann | .... | second assistant director (uncredited) | |
Art Department | |||
| Matty Azzarone | .... | leadman (uncredited) | |
| Carl Beondé | .... | props (uncredited) | |
| Tom Ordoqui | .... | props (uncredited) | |
Sound Department | |||
| Franklin Milton | .... | recording supervisor | |
| Norwood A. Fenton | .... | mixer (uncredited) | |
| Van Allen James | .... | sound editor (uncredited) | |
| Larry Jost | .... | recordist (uncredited) | |
| Norman Jost | .... | boom operator (uncredited) | |
Special Effects by | |||
| Doug Hubbard | .... | special effects (uncredited) | |
Stunts | |||
| Joe Gray | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Virgil Apger | .... | still photographer (uncredited) | |
| John E. Barber | .... | grip (uncredited) | |
| Tom Donnell | .... | grip (uncredited) | |
| W.F. Eckhardt | .... | grip (uncredited) | |
| Paul Koons | .... | second assistant camera (uncredited) | |
| Al Lane | .... | camera operator (uncredited) | |
| Tom Long | .... | grip (uncredited) | |
| Leo Monlon | .... | head grip (uncredited) | |
| Phil O'Neil | .... | assistant camera (uncredited) | |
| Dean B. Peterson | .... | best boy (uncredited) | |
| Albert Robison | .... | grip (uncredited) | |
| Camden Rogers | .... | best boy (uncredited) | |
| Wes Shanks | .... | gaffer (uncredited) | |
| Roy Strickland | .... | grip (uncredited) | |
Casting Department | |||
| Don McElwaine | .... | assistant casting (uncredited) | |
| Don McElwaine | .... | local casting (uncredited) | |
Costume and Wardrobe Department | |||
| Morris Brown | .... | wardrobe man (uncredited) | |
| Gertrude Gellert | .... | wardrobe woman (uncredited) | |
| Donald MacDonald | .... | wardrobe man (uncredited) | |
| Lambert Marks | .... | wardrobe man (uncredited) | |
| Doris Stutz | .... | wardrobe woman (uncredited) | |
Editorial Department | |||
| Charles K. Hagedon | .... | color consultant | |
| Jack Sekely | .... | assistant editor (uncredited) | |
Music Department | |||
| Elmer Bernstein | .... | conductor (uncredited) | |
| Jack Hayes | .... | orchestrator (uncredited) | |
| Leo Shuken | .... | orchestrator (uncredited) | |
Other crew | |||
| Charles C. Coleman | .... | location director (uncredited) | |
| John Delgado | .... | stand-in: Frank Sinatra (uncredited) | |
| Joe Gray | .... | stand-in: Dean Martin (uncredited) | |
| Eylla Jacobs | .... | script supervisor (uncredited) | |
| Guy McElwaine | .... | publicist (uncredited) | |
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| Gone with the Wind | Atonement | The Best Years of Our Lives | Home from the Hill | The Best of Youth |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is one of the most heartbreaking, heart-rending films I have ever seen. There are many levels in this story of the returning soldier: his conflict with his brother, with his community, with his beloved and with himself. But for me, the most poignant is the story of Dave Hirsh and Ginny Moorhead. Dave is searching for redemption; he is emotionally needy and spiritually enervated. He thinks he can find love in someone who can fill his creative needs and the void in his heart created by the war.
Here is the tragedy: Dave does not realize that real love can only come from a sense of self worth, from finding someone whom he not only needs but, just as important, who needs him. Ginny is an angel, an angel in the form of a wrong-side-of-the-tracks bimbo; but of all those in Dave's world, Ginny is the purest of heart and the purest in love, and her love is for Dave. When Dave finally realizes that his bliss lies with Ginny, it is too late, for both him and Ginny. And this ending comes in a moment that left me shattered, my mouth agape.
While the ending was not expected, neither was it contrived, and with hindsight, one could see its coming.
"Some Came Running" captures a time and culture only now beginning to fade from the collective memory, as its cohort ages and dies off, America immediately following World War II. And as a period piece, "Some Came Running" is quite successful. But I believe the story depicted here is a universal one, and I think the characters of Dave and Ginny and their sidekick Bama, played wonderfully by Dean Martin, are to be found anywhere. In fact, "Some Came Running," along with "From Here to Eternity," is the closest American cinema has come to being Shakespearian, without consciously trying to be.