In the post-war, the alcoholic and bitter veteran military and former writer Dave Hirsch returns from Chicago to his hometown Parkman, Indiana. He is followed by Ginnie Moorehead, a vulgar ... See full summary »
A struggling young actress with a six-year-old daughter sets up housekeeping with a homeless black widow and her light-skinned eight-year-old daughter who rejects her mother by trying to pass for white.
Captain Wade Hunnicutt is the wealthiest and most powerful citizen in his Texan town; he is also a notorious womanizer, which has turned his wife Hannah against him. She has brought up ... See full summary »
In the post-war, the alcoholic and bitter veteran military and former writer Dave Hirsch returns from Chicago to his hometown Parkman, Indiana. He is followed by Ginnie Moorehead, a vulgar and easy woman with whom he spent his last night in Chicago that has fallen in love with him. The resentful Dave meets his older brother Frank Hirsh, who owns a jewelry store and is a prominent citizen of Parkman that invites him to have dinner with his family. Dave meets his sister-in-law Agnes that hates him since one character of his novel had been visibly inspired on her, and his teenage niece Dawn. Frank introduces the school teacher Gwen French to him and Dave feels attracted by the beautiful woman that is daughter of his former Professor Robert Haven French and idolizes his work as writer. However, his unrequited love with Gwen drives Dave back to the local bar where he befriends the professional gambler Bama Dillert and meets Ginnie again with the Chicago's mobster Raymond Lanchak that was ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Frank Sinatra's Army uniform lacks rank insignia. It is also without brass collar disks (U.S. emblem on one side and an infantry branch emblem on the other). Sinatra's character obviously served in the infantry, since he wears the Combat Infantryman's Badge above his left shirt pocket. See more »
[to bartender, as he exits and leaves a tip]
Buy yourself a Quonset hut.
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Typical Minnelli masterpiece, as melodramatic, emotional and stylised as his more famous musicals. Lumpen James Jones novel stripped to the bone, its macho posturings shifted to anatomy of a society. Slow, repetitive narrative mirrors stagnation of such a society. Impotence, disease and writer's block all part of a wider malaise. The psychological visuals are unsurpassed, gaudy, intense floods of light, colour and composition disrupt superficial politeness. Climax one of the greatest in American cinema; the three male leads do the most difficult work of their careers. Shirley MacLaine gets hard deal, though.
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