| Glenn Ford | ... | Jason Sweet | |
| Shirley MacLaine | ... | Dell Payton | |
| Leslie Nielsen | ... | Col. Stephen Bedford / Johnny Bledsoe | |
| Mickey Shaughnessy | ... | Jumbo McCall | |
| Edgar Buchanan | ... | Milt Masters | |
| Willis Bouchey | ... | Frank Payton | |
| Pernell Roberts | ... | Chocktaw Neal | |
| Slim Pickens | ... | Marshal | |
| Robert 'Buzz' Henry | ... | Red (as Buzz Henry) | |
| Pedro Gonzalez Gonzalez | ... | Angelo | |
| rest of cast listed alphabetically: | |||
| Richard Alexander | ... | Barfly (uncredited) | |
| Roscoe Ates | ... | Town Loafer (uncredited) | |
| Irene Barton | ... | Mme. Fifi (uncredited) | |
| Lane Bradford | ... | Ranch Hand (uncredited) | |
| Chet Brandenburg | ... | Townsman (uncredited) | |
| Brandy Bryan | ... | Miss Rafferty (uncredited) | |
| Ralph Bucko | ... | Townsman (uncredited) | |
| Lorraine Carol | ... | Amy Masterson (uncredited) | |
| Edith Clair | ... | Party Guest (uncredited) | |
| Bill Clark | ... | Ranch Hand (uncredited) | |
| G. Pat Collins | ... | Elmer - Engineer (uncredited) | |
| Gene Coogan | ... | Rancher (uncredited) | |
| Franklyn Farnum | ... | Town Loafer (uncredited) | |
| Lee Tung Foo | ... | Willie, Proprietor of Restaurant (uncredited) | |
| Tom Greenway | ... | Rancher (uncredited) | |
| Kit Guard | ... | Town Loafer (uncredited) | |
| Bill Hale | ... | Ranch Hand (uncredited) | |
| Harry Harvey | ... | General Store Proprietor (uncredited) | |
| Lasse Hellman | ... | Ranch Hand (uncredited) | |
| Percy Helton | ... | Station Master (uncredited) | |
| Jimmy Horan | ... | Dancer at Party (uncredited) | |
| Wes Hudman | ... | Curly (uncredited) | |
| Norman Leavitt | ... | Town Loafer (uncredited) | |
| Forrest Lewis | ... | Mr. Baker - Tack Shop Proprietor (uncredited) | |
| Tom London | ... | Townsman (uncredited) | |
| Frank Marlowe | ... | Barney - Townsman (uncredited) | |
| Kermit Maynard | ... | Townsman (uncredited) | |
| Burt Mustin | ... | Man on Stairs (uncredited) | |
| William Newell | ... | Bartender (uncredited) | |
| Charles Perry | ... | Townsman (uncredited) | |
| Bob Reeves | ... | Townsman (uncredited) | |
| Dick Rich | ... | Loudmouth Man at Bar (uncredited) | |
| Robert Robinson | ... | Townsman (uncredited) | |
| Jack Stoney | ... | Townsman (uncredited) | |
| Peggy Taylor | ... | Laura Witkum (uncredited) | |
| Dan White | ... | Rancher (uncredited) | |
| Harry Wilson | ... | Town Loafer (uncredited) | |
| Harry Woods | ... | Cattle Rancher in Restaurant (uncredited) | |
Directed by | |||
| George Marshall | |||
Writing credits | ||
| William Bowers | (screenplay) and | |
| James Edward Grant | (screenplay) | |
| William Roberts | (adaptation) | |
| James Edward Grant | (story) | |
Produced by | |||
| Edmund Grainger | .... | producer | |
Original Music by | |||
| Jeff Alexander | |||
Cinematography by | |||
| Robert J. Bronner | (director of photography) (as Robert Bronner) | ||
Film Editing by | |||
| Ralph E. Winters | |||
Art Direction by | |||
| Malcolm Brown | |||
| William A. Horning | |||
Set Decoration by | |||
| Henry Grace | (set decorations) | ||
| Hugh Hunt | (set decorations) | ||
Costume Design by | |||
| Walter Plunkett | |||
Makeup Department | |||
| Sydney Guilaroff | .... | hair stylist | |
| William Tuttle | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Al Jennings | .... | assistant director | |
Art Department | |||
| Matty Azzarone | .... | construction (uncredited) | |
Sound Department | |||
| Wesley C. Miller | .... | recording supervisor (as Dr. Wesley C. Miller) | |
Special Effects by | |||
| Robert R. Hoag | .... | special effects | |
Stunts | |||
| Martha Crawford | .... | stunt double: Shirley MacLaine (uncredited) | |
Editorial Department | |||
| Charles K. Hagedon | .... | color consultant | |
Music Department | |||
| Arthur Morton | .... | orchestrator (uncredited) | |
Other crew | |||
| Charles C. Coleman | .... | location (uncredited) | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
In 1957, there was enough phony gun smoke on the screen to choke Superman. Most Westerns were filled with cardboard characters, unimaginative stories, and predictable showdowns. Too bad this under-rated little entry got lost in the shuffle, because it's both highly original and genuinely humorous, with an expert cast, a great script, and some magnificent Colorado landscapes.
What really distinguishes this oater is Ford's droll character (Mr. Sweet!) and the film's sprightly dialogue, neither of which sounds like you've yawned through it all before. In fact, Sweet is one of the few original cowboy creations of the time. He's a sly dog, so you never know what he'll do next, which keeps the audience riveted. Then too, Ford plays the part beautifully, his typical low-key manner making the many clever twists all the more surprising. Watch how adroitly Sweet wakes up the sleepy town at movie's outset. It amounts to a real head-turning treat.
So why do cattlemen hate sheep, the crux of the story. I don't think the screenplay explains, but it's because sheep don't just graze, they eat the roots, killing the forage, which leaves nothing for the cattle. So you know sheepman Glenn Ford is in for a passel of trouble when he brings his flock to cattle country. And trouble he gets in the form of slickster Leslie Nielsen (before Nielsen showed his own comedic talents).
And whose inspiration was it to cast the very un-frontier-like Shirley McLaine in the girl role. She's just wacky enough to make her pairing with Sweet seem natural. Then too, there're those two impossibly colorful characters-- the sneaky Edgar Buchanan at his slipperiest and the half-clown, half-thug Mickey Shaughnessy at his schizo best.
What really surprises me is that this little gem came from Western-averse MGM, which always seemed to be above such common fare as horse operas. Still, the movie does benefit from that studio's emphasis on production values-- even the outdoor sets are hard to detect.
My only complaint-- the two shootouts look like unimaginative sops to convention. It's as if the writers had to surrender to what someone thought the audience expected. Too bad. Anyway, don't let the movie's relative obscurity fool you. It's one of those sleepers that sometimes wandered away from the Dream Factory only to get lost in the crowd. Nonetheless, it's still well worth a look-see, even 50 years later.