A stranger in a Western cattle-town behaves with remarkable self-assurance, establishing himself as a man to be reckoned with. The reason appears with his stock: a herd of sheep, which he ...
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Edward G. Robinson
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In the small western town Vinegarroon the conflict between cattle and sheep breeders escalates. When a stranger appears in the town, the ranchers suspect he's a gun man, hired by the sheep ... See full summary »
A woman and two children are kidnapped by Apaches. The husband of the captured woman enlists the help of his neighbor to find the Apaches that seized his family; not knowing his neighbor has unknown reasons of his own for helping him.
A stranger in a Western cattle-town behaves with remarkable self-assurance, establishing himself as a man to be reckoned with. The reason appears with his stock: a herd of sheep, which he intends to graze on the range. The horrified inhabitants decide to run him out at all costs. Written by
David Levene <D.S.Levene@durham.ac.uk>
The action is supposed to be in the summer, specifically around the Fourth of July, as evidenced by the town holding a July 4th party. But outdoor Fall colors are clearly in evidence throughout the film. See more »
How come you get into the sheep business, boss?
Well, I'll tell ya, Angelo. You see, it's this way. I just got tired of kicking cows around. You know how dumb they are.
And you think sheep are smarter?
Oh, no, no. They're dumber. Only their easier kicking...and woollier.
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Thoroughly enjoyable western with romance asides...
Terrific M-G-M oater with both a comedic and a romantic slant has Glenn Ford playing the new sheep farmer in a cattle community; he deliberately stirs up trouble for himself with the locals, particularly villainous old acquaintance Leslie Nielsen, when reminding them that the grazing land is his to use as well--and if they wanna run him out of town, he'll fight them to the bitter finish. Shirley MacLaine is at the peak of her charms as a sarcastic gal who initially plays both sides of the fence. Very entertaining western with colorful production makes no overtures to deep meanings or powerful statements. On the frivolous side though it may be, it is one of the most satisfying westerns of the 1950s. Screenwriters William Bowers and James Edward Grant (Oscar-nominated) have fashioned a surefire character for Glenn Ford, who is irresistible. Good show! *** from ****
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