A stranger in a Western cattle-town behaves with remarkable self-assurance, establishing himself as a man to be reckoned with. The reason appears with his stock: a herd of sheep, which he ... See full summary »
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1896, Montmartre: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her night club. Her employees use their female... See full summary »
Ben and Howdy are a couple of aging cowboys who bust broncos out of Sedona for Jim Ed Love, a slick operator if ever there was one. Sisters, Meg and Agatha, have their eyes on Ben and Howdy... See full summary »
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A stranger in a Western cattle-town behaves with remarkable self-assurance, establishing himself as a man to be reckoned with. The reason appears with his stock: a herd of sheep, which he intends to graze on the range. The horrified inhabitants decide to run him out at all costs. Written by
David Levene <D.S.Levene@durham.ac.uk>
This is a very special western ,very tongue in cheek ,which was very unusual in the fifties where the masters produced unsurpassed classics (Ford,Daves ,Walsh,Mann....)Till the moment when Glenn Ford tells the story of his former fiancée to Shirley McLaine ,there's absolutely nothing dramatic in this plot which involves a Sheepman who has got problems with the inhabitants of a cattle village .Sheepman has to battle for sheep herds and for the "colonel"'s fiancée, a tomboy who was ahead of her time ,as far as woman's lib is concerned ,at least till her very last lines ;Glenn Ford ,Shirley McLaine and Leslie Nielsen do not take their roles seriously and it's much fun watching them battling against each others ;one can regret that Georges Marshall should have introduced drama in the second part .It should have stayed a comedy till the end!The scenes of the ball and the night train tooting alone are worth the price of admission.
Didn't Jason get the Golden Fleece?
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