| Photos (See all 15 | slideshow) | Videos (see all 2) |
| John Hudson | ... | Eric Whitlock | |
| Peggy Webber | ... | Jenni Whitlock | |
| Russ Conway | ... | Reverend Edward Snow | |
| Tony Johnson | ... | Mrs. Snow | |
| Alex Nicol | ... | Mickey |
Directed by | |||
| Alex Nicol | |||
Writing credits | ||
| John Kneubuhl | (written by) | |
Produced by | |||
| John Coots | .... | associate producer | |
| John Kneubuhl | .... | producer | |
| Thomas F. Woods | .... | executive producer (as T. Frank Woods) | |
Original Music by | |||
| Ernest Gold | |||
Cinematography by | |||
| Floyd Crosby | (director of photography) | ||
Film Editing by | |||
| Betty J. Lane | (as Betty Jane Lane) | ||
Makeup Department | |||
| Donald W. Roberson | .... | makeup artist (as Don Roberson) | |
Second Unit Director or Assistant Director | |||
| Maurice Vaccarino | .... | assistant director | |
Sound Department | |||
| Al Overton | .... | sound | |
| Mandine Rogne | .... | sound editor | |
Camera and Electrical Department | |||
| Charles Hannawalt | .... | chief grip (as Chuck Hanawalt) | |
| John Millman | .... | lighting supervisor (as John Milman) | |
| Kenneth Peach | .... | second unit photographer (as Kenny Peach) | |
Editorial Department | |||
| Florence Williamson | .... | assistant editor | |
Music Department | |||
| Ernest Gold | .... | conductor | |
| Jerry Roberts | .... | music editor (as Gerald Roberts) | |
Other crew | |||
| Betty Fancher | .... | script supervisor | |
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| The Glass House | Don't Look Now | Premonition | Psycho | Carnival of Souls |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
"The Screaming Skull" opens with a warning and an offer for free burial services if you should die watching it - Now there's a hook! The story itself has a fairly interesting premise for a horror flick: scheming husband marries a wealthy woman with a history of mental illness, then attempts to convince her that she's going insane with shrill noises, mysterious knocking and skulls that turn up at inopportune times. Add to the formula a sufficiently creepy gardener who still cherishes the memory of the man's first wife who he was devoted to. Maybe it's just that the 1950's didn't have the technology to pull off some of the scare scenes needed to juice up this movie, the techniques used here seem contrived and mundane. But then again, when I first saw "House on Haunted Hill" as a nine year old, it gave me the heebie jeebies in the same way I'm sure this film did for young viewers of the same era.
Don't get me wrong, the film is not terrible, it just seems to get tedious at times. But there's some great atmospheric tension in the generally huge but unfurnished Whitlock home, and the gardens and pool are a nice touch. For me the best played out scene involves Eric Whitlock (John Hudson) going maniacal in the pond attempting to retrieve the hidden skull, he just wades right in clothes and all, in neat contrast to the mentally challenged gardener (director Alex Nicol in a dual role). It makes you wonder who the real dimwit was.
In it's own good way, perhaps the most shocking thing about the film: how about that neat roadster the Whitlock's make their first appearance in - gull wing doors in 1958! That at least made me jump out of my seat!