| Clark Gable | ... | Cmdr. 'Rich' Richardson | |
| Burt Lancaster | ... | Lt. Jim Bledsoe | |
| Jack Warden | ... | Yeoman 1st Class Mueller | |
| Brad Dexter | ... | Ens. Gerald Cartwright | |
| Don Rickles | ... | Quartermaster 1st Class Ruby | |
| Nick Cravat | ... | Russo | |
| Joe Maross | ... | Chief Kohler | |
| Mary LaRoche | ... | Laura Richardson | |
| Eddie Foy III | ... | Larto | |
| Rudy Bond | ... | Sonarman 1st Class Cullen | |
| rest of cast listed alphabetically: | |||
| Jimmy Bates | ... | Jessie (uncredited) | |
| John Bryant | ... | Carl Beckman (uncredited) | |
| John Close | ... | Co-ordinate Fixer at Bungo Straits (uncredited) | |
| Wayne Dahmer | ... | (uncredited) | |
| Rod Dana | ... | Man (voice) (uncredited) | |
| Joel Fluellen | ... | Bragg (uncredited) | |
| John Gibson | ... | Capt. Blunt (uncredited) | |
| Ken Lynch | ... | Frank (uncredited) | |
| Maurice McEndree | ... | Radio Operator (uncredited) | |
| Teru Shimada | ... | Japanese Submarine Commander (uncredited) | |
| Russell Thorson | ... | Submarine Crewman (uncredited) | |
| Skip Ward | ... | (uncredited) | |
| H.M. Wynant | ... | Corpsman Hendrix (uncredited) | |
Directed by | |||
| Robert Wise | |||
Writing credits | ||
| John Gay | (screenplay) | |
| Edward L. Beach | (novel "Run Silent, Run Deep") (as Commander Edward L. Beach) | |
Produced by | |||
| Harold Hecht | .... | producer | |
| William Schorr | .... | associate producer | |
Original Music by | |||
| Franz Waxman | |||
Cinematography by | |||
| Russell Harlan | (photographed by) | ||
Art Direction by | |||
| Edward Carrere | |||
Set Decoration by | |||
| Ross Dowd | |||
Makeup Department | |||
| Franz Prehoda | .... | makeup artist (as Frank Prehoda) | |
| Robert J. Schiffer | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Gilbert Kurland | .... | executive production manager | |
Second Unit Director or Assistant Director | |||
| Emmett Emerson | .... | assistant director | |
| Irving J. Moore | .... | second assistant director (uncredited) | |
Sound Department | |||
| Fred Lau | .... | sound recordist | |
Special Effects by | |||
| Gerald Endler | .... | mechanical effects (uncredited) | |
Visual Effects by | |||
| A. Arnold Gillespie | .... | special photographic effects (as Arnold Gillespie) | |
| Howard Lydecker | .... | special photographic effects | |
| Clifford Stine | .... | special photographic effects | |
| Matthew Yuricich | .... | visual effects artist (uncredited) | |
Stunts | |||
| Loren Janes | .... | stunts | |
| Jay Dee Skidmore | .... | underwater stunts | |
| Bill Babcock | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Cliff Shirpser | .... | assistant camera (uncredited) | |
Editorial Department | |||
| George Boemler | .... | editorial supervisor | |
Other crew | |||
| Rob Roy McGregor | .... | technical advisor (as Rear Adm. Rob Roy McGregor) | |
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| Tora! Tora! Tora! | Torpedo Run | Das Boot | The Enemy Below | Okinawa |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb War section | IMDb USA section |
When it comes that particular sub-genre of "military drama" movies that take place aboard submarines, the canon cannot be considered complete without "Run Silent Run Deep." It's not a flawless film, but nevertheless a very powerful one, and arguably seminal for the genre. This may well be the film which introduced the phrase "Ah-OOOO-gah! Dive, dive!" into the collective consciousness.
Plot synopsis: At the start of the film, it's late 1942, and Commander "Rich" Richardson (Gable) is commanding a submarine attacking Japanese shipping in the Bungo Strait. One of the escorting vessels, an Akikaze-class destroyer, counter-attacks and sinks the submarine with consummate skill. We skip ahead to mid-1943 and find Richardson in a desk job at Pacific Fleet headquarters at Pearl Harbor, obsessing over how to take revenge on the destroyer, which he has nicknamed "Bungo Pete," and which has sunk another three American submarines in the interim. When the position of commanding officer of the submarine Nerka becomes vacant, Richardson manages to wangle the job on the basis that the Nerka's next assignment will be to Japanese coastal waters, an area with which Richardson is well familiar. This, however, sets him at odds with the boat's executive officer, Lieutenant Bledsoe (Lancaster), who had originally been slated to take over command of the Nerka. Due to the losses incurred in the Bungo Strait, Richardson's orders are to avoid that waterway, but it is readily apparent to the viewer that Richardson fully intends to return to the Strait and sink "Bungo Pete." However, "Bungo Pete" is not the only threat that the Nerka faces...
The film's primary flaw is that it places emphasis on the significance of certain facts without explaining why these are significant. This is likely a result of being adapted from a novel. It would be helpful to know, for example, that the Bungo Strait is the waterway separating the Japanese islands of Kyushu and Shikoku, and is one of the two exits from the Inland Sea into the Pacific. It is the obvious route for shipping to and from the military logistics center at Hiroshima, among others, and would therefore be a "target-rich environment" for American submarines. Another commentator on this site asks why a Momo-class destroyer "merely serves as target practice" while the Akikaze-class is considered a serious threat. The answer is that the Momo is a "2nd class" destroyer, older, slower and more lightly armed than the Akikaze. Most importantly, 2nd class destroyers did not have depth charges, and were thus unable to harm a submerged submarine. (It should be noted, incidentally, that what is referred to as the Akikaze-class in this film is more correctly known as the Minekaze class. "Bungo Pete" could not be the historical Akikaze, as this vessel was in the South-West Pacific at the time this film takes place.) As to the question why Richardson opts not to dive when attacked by aircraft, the answer is that a submarine IS visible from the air if it's only at periscope depth, while at the same time, being submerged forces it to run on electric (battery) power instead of its diesels, resulting in less speed and maneuverability. For the Nerka to gain protection from diving, she would have to go so deep that she could not continue the attack against the Akikaze.
The pacing in the film is very good, and the story carries no unnecessary ballast. It was probably to maintain this that much of the exposition was cut. However, this does cause certain events in the film to come off as contrived to the casual viewer, which is unfortunate, because actually the story is very consistent. Like a good detective story, the film gives you clues to future events instead of springing them on you (per the dictum attributed to Chekov that a gun fired in Act III should be visible on the wall in Act I). Gable and Lancaster may, strictly speaking, be too old for their characters, but they play them convincingly, and their interaction--especially Bledsoe's grudging but increasing respect for Richardson--is very credible. There are some war movie clichés, and you can plainly see the wires used on the sub and torpedo models in the underwater scenes, but this was, after all, 1958. If you like submarine movies, you'll love this one.