In Fort Lamy, French Equitorial Africa, idealist Morel launches a one-man campaign to preserve the African elephant from extinction, which he sees as the last remaining "roots of Heaven." ... See full summary »
A CIA operative kills a terrorist during a prison break. When a group of terrorists attempts to recover a microchip implanted in the man's body, one of them is captured and convinced by the... See full summary »
Allan Quatermain once again teams up with Jesse Huston where the discovery of a mysterious old gold piece sends Quatermain looking for his long-lost brother, missing in the wilds of Africa after seeking a lost white race.
James Earl Jones
Davey Haggart is quite certain of his paternity (even if nobody else is) and determined to emulate his father, a notorious rogue and highwayman. This includes breaking a man out of Stirling... See full summary »
Townsend Harris is sent by President Pierce to Japan to serve as the first U.S. Consul-General to that country. Harris discovers enormous hostility to foreigners, as well as the love of a ... See full summary »
In a futuristic London, the rising sea levels mean that large areas are under feet of water. Hauer plays a cop who previously lost his partner to some strange creature. Now the creature is ... See full summary »
A professional thief is hired by the FBI to steal a data tape from a company under investigation. The analysis of this tape, will prove the criminal activities of this company. As this ... See full summary »
Tommy Lee Jones,
Zero (Wagner Moura) is a brilliant scientist, but unfortunate because 20 years ago was publicly humiliated and lost in college Helena (Alinne Moraes) the love of his life. One day, an ... See full summary »
Maria Luísa Mendonça
In Fort Lamy, French Equitorial Africa, idealist Morel launches a one-man campaign to preserve the African elephant from extinction, which he sees as the last remaining "roots of Heaven." At first, he finds only support from Minna, hostess of the town's only night club, who is in love with him, and a derelict ex-British Army Major, Forsythe. His crusade gains momentum and he is soon surrounded by an odd assortment of characters: Cy Sedgewick, an American TV commentator who becomes impressed and rallies world-wide support; a U.S. photographer, Abe Fields, who is sent to do a picture story on Morel and stays on to follow his ideals; Saint Denis, a government aide ordered to stop Morel; Orsini, a professional ivory hunter whose vested interests aren't the same as Morel's; and Waitari, leader of a Pan-African movement who follows Morel only for the personal good it will do his own campaign. Written by
Les Adams <email@example.com>
As had happened during shooting of The African Queen (1951) almost every person involved contracted amoebic dysentery except for John Huston and Errol Flynn, who had brought copious amounts of alcohol which kept the sickness at bay. See more »
I like him. He spits on us, on all of us, and he's right! I've been waiting all my life for somebody to spit on me. Now someone finally has the guts to do it, you know what? Suddenly it gets to be almost bearable to be a man.
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Have lately been reading Zolotow's Book about Billy Wilder wherein he relates the following: Wilder encountered by chance Romain Cary in John Huston's office and told him(in so many words) that he didn't think the shooting script for "Roots," was very good. Naturally, Cary was less than thrilled with this remark and riposted with several remarks of his own that were probably less than well thought out. I've always been a fan of Wilder and respected(nay, admired)most of his work; obviously feel the same about Huston and "Roots," so how does one "digest," all this,ie what's the point? No doubt, there's some problems with the script. It does have a on site improvised feel to it-when we see Errol Flynn on screen, the dysfunction's palpable-which shouldn't be all that much of a bad thing. After all, Wilder himself usually started production with most of the script still in his head, so why the problem. Probably because "Roots," is about people searching for something-if the title hadn't been retired with Robert Ruark's novel and film,also about African themes-Something of Value. Morell, one of the few in the film who's entirely clear about what's real and valuable in this life, knows that it's the animals that need protecting and conserving and sometimes not the people. Muddled perhaps? Probably, but clearly at odds with 50's era sentiment. Still, after all this time(64 maybe, since I first saw it NBC's Saturday Night at the Movies)the visual ambience holds up admirably as does Malcolm Arnold's score-as transcendent as anything he's ever written for film. I wish it were available on VHS.
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