In Fort Lamy, French Equitorial Africa, idealist Morel launches a one-man campaign to preserve the African elephant from extinction, which he sees as the last remaining "roots of Heaven." ...
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Olivia de Havilland,
In Fort Lamy, French Equitorial Africa, idealist Morel launches a one-man campaign to preserve the African elephant from extinction, which he sees as the last remaining "roots of Heaven." At first, he finds only support from Minna, hostess of the town's only night club, who is in love with him, and a derelict ex-British Army Major, Forsythe. His crusade gains momentum and he is soon surrounded by an odd assortment of characters: Cy Sedgewick, an American TV commentator who becomes impressed and rallies world-wide support; a U.S. photographer, Abe Fields, who is sent to do a picture story on Morel and stays on to follow his ideals; Saint Denis, a government aide ordered to stop Morel; Orsini, a professional ivory hunter whose vested interests aren't the same as Morel's; and Waitari, leader of a Pan-African movement who follows Morel only for the personal good it will do his own campaign. Written by
Les Adams <firstname.lastname@example.org>
On the irony of a big game hunter like Huston making a movie about a militant elephant conservationist, John Huston said "Contrary to prevailing opinion, I never found an elephant big enough to justify the sin of killing one." See more »
Do you know that tens of thousands of elephants are killed every year? Thirty thousand last year, to be exact. Thirty thousand. If they go on like that, there won't be any left. Anyone who's seen the great herds on the march across the last free spaces of the earth knows they're something the world can't afford to lose! But no... We have to capture, kill, destroy. All that's beautiful has got to go. All that's free! Soon we'll be alone on this earth with nothing to destroy but ourselves!
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This is not a classic film, but I found it very worthwhile to make the effort to find it and watch it.
The issues of wildlife conservation, specifically African elephant conservation, that it raises are still very relevant. The film seems at least 30 years ahead of its time in this respect, as we are still struggling to find ways for elephants and humans to co-exist. The conflicts between poachers, elephants, and well-meaning people trying to make the world better for humans AND elephants depicted here are playing out in the real world very much as depicted here.
John Huston made several timeless movies. While this is not one of his best movies, it is an interesting companion piece to "African Queen" and is thought-provoking about issues of wildlife conservation and the effects of colonialism on African and world politics.
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