What do you do when you want to commit suicide whereas you have just had the suicide clause cancelled from your insurance contract ? Just ask your wife ! What do you do when the attractive ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Based on the true story of a white reporter who, at the height of the civil-rights movement, temporarily darkened his skin so that he could experience the realities of a black man's life in the segregated South.
Roscoe Lee Browne
A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours... See full summary »
Grace Chang seduces as Hong Kong's most sensual Carmen ever. The torrid passions of Bizet's famous opera gets a postmodern reading when it is transposed to the noir-like setting of Hong ... See full summary »
This western starring Beery and Taylor as rivals is one cackling western. It involves the kidnapping and reselling of free slaves. Set in 1812 in the North and a town of abolitionists, the ... See full summary »
W.S. Van Dyke
Betty Farnwell, a rich widow living in Nice, decides to marry Philippe, a good-looking but self-interested man. No sooner has he got married than he meets bewitching young Eve, Betty's ... See full summary »
What do you do when you want to commit suicide whereas you have just had the suicide clause cancelled from your insurance contract ? Just ask your wife ! What do you do when the attractive new chauffeur surprises you in the process of distorting the truth ? Just make him your lover! But beware : even the most elaborate schemes can backfire ! Written by
A deliciously cold-blooded "French Noir" from James Hadley Chase
Robert (Daniel Gélin), an itinerant painter passing through Monte Carlo, saves the life of uber-rich drunk Eric Fréminger (Peter van Eyck) late one night and the man offers Robert a job as his companion-cum- chauffeur, much to the displeasure of his icy, elegant wife Hélène (Michèle Morgan). When Fréminger isn't playing sadistic mind games with Hélène, he's either blotto or busy going bankrupt and he tells Hélène she'll only have a couple of hours after he blows his brains out to make the dirty deed look like murder if she wants to collect on a sizable life insurance policy. Fréminger immediately makes good on his threat and after a quick tête-à-tête, Hélène and Robert agree to take the dead man's advice and hide his body in a walk-in freezer until they can come up with a plan. They begin by hiring a pretty young maid (Michèle Mercier) to convince her that the master of the house is a recluse who won't come out of his room but "oh what a tangled web we weave when first we practice to deceive..."
A deliciously cold-blooded, sexy French noir based on a James Hadley Chase pulp thriller that took its lead from Cornell Woolrich's "The Black Path Of Fear". Woolrich's version first saw the light of day as THE CHASE in 1946 (also starring Michèle Morgan, interestingly enough) but, as usual with J.H. Chase, there's more than enough variational surprises to allow a "twisted sister" to stand on its own and THERE'S ALWAYS A PRICE TAG does just that. A thoroughly jaundiced eye is cast on human nature and Morgan (platinum blonde here a la DOUBLE INDEMNITY's Phyllis Dietrichson) chills to the marrow as the devastating, driven femme fatale. The estimable character actor Bernard Blier is also pitch-perfect as a police inspector who's a bit smarter than he lets on. Cynical and satisfying.
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