Up and coming, young lawyer Anthony Lawrence faces several ethical and emotional dilemmas as he climbs the Philadelphia social ladder. His personal and professional skills are tested as he ... See full summary »
Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into ... See full summary »
Ram Bowen and Eddie Cook are two expatriate jazz musicians living in Paris where, unlike America at the time, Jazz musicians are celebrated and racism is a non-issue. When they meet and ... See full summary »
When 5 allied generals are captured in Italy in WW II, it is a propaganda nightmare for the Allies. The generals are all 1 star and refuse to take orders from each other in order to plan an... See full summary »
After her father's death, Mary Rainey takes over the Rainey Circus (which operates twice daily, rain or shine) but runs into financial troubles. In one bit reminiscent of the Marx Brothers,... See full summary »
In the midst of a mid-life crisis, Henry Smith convinces his wife, Ellen, that they should take separate one-week vacations, with no questions asked. He tries to sow some wild oats with a ... See full summary »
Harry Bannerman, a Connecticut suburbanite who becomes involved in various shenanigans with his wife Grace Oglethorpe, leads a protest movement against a secret army plan to set up a missile base in their community. Written by
'Boojum' is a term coined by Lewis Carroll, and first appears in his poem, "The Hunting of the Snark". The 'Snark' (SM-62) was a surface-to-surface missile (a large cruise missile) used by the US military. Given the presence of a missile base in the film, it is likely that the term, 'Boojum', was used to make the connection with the real missile. See more »
During long shots of the mock-up of the Mayflower approaching the Fourth of July pageant by ocean, the ship is clearly far out at sea. But in close-ups, foliage from nearby land can be seen just a few feet away. See more »
Newman's weakest of '58 still an interesting comic effort
In other of Paul Newman's movie years, this one might have fared better, but alongside the Southern masterpieces Cat on a Hot Tin Roof and The Long Hot Summer, and the flawed but interesting Billy The Kid take The Left-Handed Gun, this sometimes amusing fluff just can't hold up. Good to see him paired with Woodward and taking a stab at screen comedy for the first time, but he never truly excelled at it until later in his career. Still, some nice bits and decent work survive. It's just impossible to see and compare these days, rarely if ever broadcast and unreleased to video to this day.
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