| Zsa Zsa Gabor | ... | Talleah | |
| Eric Fleming | ... | Capt. Neal Patterson | |
| Dave Willock | ... | Lt. Mike Cruze | |
| Laurie Mitchell | ... | Queen Yllana | |
| Lisa Davis | ... | Motiya | |
| Paul Birch | ... | Prof. Konrad | |
| Patrick Waltz | ... | Lt. Larry Turner | |
| Barbara Darrow | ... | Kaeel | |
| Marilyn Buferd | ... | Odeena | |
| Mary Ford | ... | Venusian Girl | |
| Marya Stevens | ... | Venusian Girl | |
| Laura Mason | ... | Venusian Girl | |
| Lynn Cartwright | ... | Venusian Girl | |
| Kathy Marlowe | ... | Venusian Girl | |
| Coleen Drake | ... | Venusian Girl | |
| Tania Velia | ... | Venusian Girl | |
| Norma Young | ... | Venusian Girl | |
| Marjorie Durant | ... | Venusian Girl | |
| Gerry Gaylor | ... | Base Commander | |
| rest of cast listed alphabetically: | |||
| John Bleifer | ... | Torture Victim (uncredited) | |
| Brandy Bryan | ... | Venusian Guard (uncredited) | |
| Ralph Gamble | ... | Officer in Anteroom (uncredited) | |
| Joi Lansing | ... | Larry's Girl (uncredited) | |
| Ruth Lewis | ... | Disintegrator Amazon (uncredited) | |
| June McCall | ... | Tyrus 4 Amazon Leader (uncredited) | |
| Guy Prescott | ... | Col. Ramsey (uncredited) | |
Directed by | |||
| Edward Bernds | |||
Writing credits(in alphabetical order) | ||
| Charles Beaumont | screenplay | |
| Edward Bernds | uncredited | |
| Ben Hecht | story "Queen of the Universe" | |
Produced by | |||
| Ben Schwalb | .... | producer | |
Original Music by | |||
| Marlin Skiles | |||
Cinematography by | |||
| William P. Whitley | |||
Film Editing by | |||
| William Austin | |||
Casting by | |||
| Mickey Lewis | (uncredited) | ||
| Joe Rivkin | (uncredited) | ||
Art Direction by | |||
| Dave Milton | (as David Milton) | ||
Set Decoration by | |||
| Joseph Kish | |||
Makeup Department | |||
| Emile LaVigne | .... | makeup artist | |
| Alice Monte | .... | hair stylist | |
| Bunny Armstrong | .... | body makeup artist (uncredited) | |
| Olga Collings | .... | hair stylist (uncredited) | |
| John G. Holden | .... | makeup artist (uncredited) | |
Production Management | |||
| Edward Morey Jr. | .... | production manager | |
Second Unit Director or Assistant Director | |||
| William Beaudine Jr. | .... | assistant director | |
Art Department | |||
| Sam Gordon | .... | property master | |
| James West | .... | construction coordinator | |
| Ted Mossman | .... | props (uncredited) | |
| Art Williams | .... | laborer (uncredited) | |
Sound Department | |||
| Joe Lapis | .... | sound engineer (as Joseph Lapis) | |
| Charles G. Schelling | .... | sound editor (as Charles Schelling) | |
| Bill Flannery | .... | boom operator (uncredited) | |
| B.F. Remmington | .... | sound recordist (uncredited) | |
| Al Yaylian | .... | cable person (uncredited) | |
Special Effects by | |||
| Milt Rice | .... | special effects (uncredited) | |
Visual Effects by | |||
| Jack Cosgrove | .... | special photographic effects (uncredited) | |
Camera and Electrical Department | |||
| Hilton Anderson | .... | second grip (uncredited) | |
| Mark Armistead | .... | camera equipment (uncredited) | |
| Walter Bluemel | .... | first assistant camera (uncredited) | |
| Todd Laclede | .... | second assistant camera (uncredited) | |
| Harry Lewis | .... | grip (uncredited) | |
| Fred Morgan | .... | still photographer (uncredited) | |
| Val O'Malley | .... | camera operator (uncredited) | |
| James Peters | .... | best boy (uncredited) | |
| George Satterfield | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Irene Caine | .... | wardrobe supervisor | |
| Thomas Pierce | .... | wardrobe designer: Ms. Gabor | |
| Neva Bourne | .... | wardrobe (uncredited) | |
| Sid Mintz | .... | wardrobe (uncredited) | |
| Sophia Stutz | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Phil Rand | .... | color technician (uncredited) | |
Music Department | |||
| Jerry Irvin | .... | music editor | |
| Albert Harris | .... | composer: additional music (uncredited) | |
Other crew | |||
| Richard Chaffee | .... | set continuity | |
| Herman Rotsten | .... | dialogue director | |
| Lester A. Sansom | .... | assistant to producer | |
| Charles Holmberg | .... | doorman (uncredited) | |
| Betty Rehm | .... | production secretary (uncredited) | |
| John Ward | .... | first aid (uncredited) | |
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"Vimmen cannot be happy vizout man!"
Thus spake Zsa Zsa Gabor, the most unlikely sci-fi heroine of the fifties. And I guess she'd know. Swanning around the Venutian landscape trailing yards of tulle - she has apparently learned nothing from Isadora Duncan's grisly demise - its up to Zsa Zsa to save the earth from obliteration from what appears to be a ready-to-assemble treehouse.
If logic were the order of the day here it would be patently obvious from this that we're all a-goner. Happily, logic has nothing to do with it; the Venus La Gabor inhabits bears no resemblance to anything in our solar system.
Not for the first time in movie history - I'm thinking "Fire Maidens from Outer Space" here - Venus turns out to be the province of buxom, slightly past their prime showgirls, and there's nary a man in sight. Why? Well, once upon a time the men folk started a nuclear war which caused many of the women, including the planet's ruler, to suffer hideous facial scars. Suitably stung, the men were banished to a nearby satellite; meanwhile the queen wears a stupid mask and the women evidently pass their time doing their hair. In each coif there's never a strand out of place, and somewhere on Venus somebody's doing a roaring trade on fire-engine red lipstick.
Things get sticky when a whole lot of Earth astronauts land on Venus, bringing with them the sets and props for "Forbidden Planet". (Even Anne Francis' gowns get a second outing from the #2 Venus babe. No hand me downs for Zsa Zsa though!) The women are at first hostile, but the natural order is restored when Zsa Zsa takes the helm, and long before the fadeout all is goo eyes and closed mouth kissing. The men are asserting their superiority, the women are all "dames", no doubt scuttling back to the kitchen, and those who showed even the smallest trace of backbone - ie the baddies - are all safely dead.
Its hard to say whether Zsa Zsa thought this was her big break or whether she knew how hilarious the whole thing is. At any rate she dominates the proceedings, which is no mean feat seeing as she has some of the silliest sets, dialogue and special effects to compete with. People who claim that Marilyn Monroe was never given a chance to extend her dramatic range might consider taking up Zsa Zsa's cause as well. I can see her now in a 1956 remake of "Mildred Pierce" in bright, bright Technicolor.
For the time being, enjoy what's on offer. "I hate zat qveen!" snaps our star.
Ah, but how the queens love you Zsa Zsa.