When Clementi Suborin is found murdered, his secretary recounts to the police the story of his rise from Czech refugee to ultra-rich New Yorker. The tale of betrayal, womanising and fraud ... See full summary »
Yvonne De Carlo,
Zsa Zsa Gabor
Dr. Goldfoot has invented an army of bikini-clad robots who are programmed to seek out wealthy men and charm them into signing over their assets. Craig Gamble and Todd Armstrong set out to foil the fiendish plot.
Al Marsh, Tony Naylor and Jerry Ralby, Broadway producers, are desperately looking for backers. Al is one of the heirs of a dress salon in Paris, but this is almost bankrupt. The two other ... See full summary »
In this remake of the 1940 film with a similar title, Prehistoric man Tumak is banished from his savage tribe and meets pretty Loana who belongs to a gentler coastal tribe but he must fight caveman Payto to win her favors.
En route to Earth's orbiting space station, a spaceship with four men aboard is attacked and they awaken after their spaceship crash lands. One of them, Professor Konrad, determines they have landed on Venus, a planet scientists had believed to be uninhabitable. They are taken prisoner by the inhabitants, all beautiful women, who imprisoned the men and took control of the planet. Their masked Queen, Yllana, has plans to destroy the Earth with their beta disintegrator but there is dissent among them led by the beautiful Talleah. Written by
The film opens with a 15-minute prologue before the opening credits. See more »
The earth men and some of the Venusian women hide in a cave that has many visible veins of gold in the rocks. When the earth men indicate the value of gold to the Venusian women, the women seem mystified over the concept of gold being a valuable, precious metal. And yet these same women have studied Earth's language for years, and, many of the women wear what appears to be expensive jewelry. Even if their own planet has an abundance of gold, it's inconceivable that they could not know about gold's value to earth men. See more »
The real question here is whether or not this film is funny because of what it shows us...acting, dialogue, sets...or rather because of how ineptly it shows us these things. For me the film is funny because it is trying to be funny in some parts but also very funny because it is crudely, cheaply, and horrificly made in many instances. Obviously casting Zsa Zsa Gabor in the lead role answers the question that this was intended to be a parody. Come on, she is not an actress but rather a fixture, albeit a charming, vivacious, buxom one. Three astronauts and a professor are on their way to a space station when some laser beams destroy the station before their very eyes and lead them to the planet of Venus millions and millions of miles away. All our scientific knowledge of Venus is wildly inaccurate as the gravity is much like that of Earth's and oxygen is prevalent. The men are taken at night by surprise by a band of armed, mini-skirt clad Venusians that bring them before the mask-faced evil queen. From there a Venusian scientist, played by Miss. Gabor no less, offers help to the men to escape. The rest is about the foiled escape and the eventual unmasking of the evil queen and her desire to obliterate Earth. The film has so much sexual innuendo and bad-trying-to-be-funny smug acting as to be a little annoying. The male leads are not very good. Eric Fleming as the man wanted by both Zsa Zsa and the queen is adequate. Paul Birch, typically a pretty good actor, does a shameless job in this film smiling constantly and his scene where the space station is destroyed and he is suppose to look disconcerted is a real hoot! Maybe this is what they were trying to do. The other two guys are very annoying with one stupid joke after another. One is a lothario-type making degrading comments about the fairer sex repeatedly. Even I tired of them after awhile. The women...well, they are heavenly. All of them are beautiful and Zsa Zsa is near the top of that heavenly spectrum. Beautiful Joi Lansing also has a bit part in the beginning. Journeyman director Edward Bernds directs with some style. I particularly like how he used color in the film. Visually, the film has lots of bright blues and reds that really takes much of your attention away from the bad acting and plot.
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