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Pull My Daisy (1959)

 -  Short  -  11 November 1959 (USA)
6.7
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Ratings: 6.7/10 from 453 users  
Reviews: 11 user | 5 critic

Milo is a railroad brakeman, his wife a painter. They have some poet friends who spend a good bit of time hanging out at their apartment. When Milo and his wife are visited by their bishop,... See full summary »

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Title: Pull My Daisy (1959)

Pull My Daisy (1959) on IMDb 6.7/10

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Cast

Complete credited cast:
...
Allen (as Alan Ginsberg)
Gregory Corso ...
Gregory
Larry Rivers ...
Milo
Peter Orlovsky ...
Peter
David Amram ...
Mezz McGillicuddy
Richard Bellamy ...
Bishop
Alice Neel ...
Bishop's mother
Sally Gross ...
Bishop's sister
Pablo Frank ...
Pablo
Rest of cast listed alphabetically:
...
Narrator
...
Milo's wife (as Beltiane)
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Storyline

Milo is a railroad brakeman, his wife a painter. They have some poet friends who spend a good bit of time hanging out at their apartment. When Milo and his wife are visited by their bishop, they naturally would like their friends to be on their best behavior. But poets will be poets. Written by George S. Davis <mgeorges@prodigy.net>

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Short

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Release Date:

11 November 1959 (USA)  »

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Did You Know?

Trivia

This film was selected to the National Film Registry, Library of Congress, in 1996. See more »

Connections

Referenced in The Flower Thief (1960) See more »

Soundtracks

The Crazy Daisy
Lyrics by Allen Ginsberg and Jack Kerouac
Performed by Anita Ellis
See more »

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User Reviews

Roman à clef
23 August 2004 | by (Felton, CA) – See all my reviews

The background drama is interesting, I think, and not well known. Like Subterraneans, this story was transplanted from one coast to another.

The Cassadys lived in the scenic foothills of the Santa Cruz Mountains, and the neighborhood was gentrifying in the years they were there. Many of the cultural contrasts in Beat epics were actually suggested by the various Beats and Pranksters playing off against the ritzy neighbors in Monte Sereno. There really was a bishop and his wife visiting in the Cassady home one evening while Ginsberg and Corso were there.

Milo is a stand-in for Neal Cassady, of course, and the resentment and struggles against wife Carolyn are not made up neither. The rhythm of the commentary over the action is exceptional. I don't know where I have seen the like.


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