Bugs discovers a Micronesian Film Documentary in "Cromagnonscope" showing Elmer Fuddstone and a sabertooth bunny in 10,000 BC.





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Complete credited cast:
Bugs Bunny / Saber-Tooth Rabbit / Narrator / Dinosaurs / Saber-Tooth Tiger (voice)


Bugs discovers a Micronesian Film Documentary in "Cromagnonscope" showing Elmer Fuddstone and a sabertooth bunny in 10,000 BC.

Plot Summary | Plot Synopsis


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Release Date:

1 November 1958 (USA)  »

Company Credits

Production Co:

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Technical Specs


Sound Mix:



Aspect Ratio:

1.37 : 1
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Did You Know?


Rather than having incidental music composed and arranged specifically for the cartoon, this is one of six Warner Brothers cartoons featuring a non-thematic stock soundtrack due to a musicians' strike. It was scored by John Seely of Capitol Records using stock music from the Hi-Q sound library. See more »


Features Caveman Inki (1950) See more »


Eccentric Comedy (5-TC-300)
Music by William Loose and John Seely
See more »

Frequently Asked Questions

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User Reviews

John Seely, and a bit on the Fake Fudd voice
17 March 2011 | by (United States) – See all my reviews

Ian L., not sure if Seely or designated film editor Treg Brown chose the music, though John Seely WAS the boss of the stock music, but seems everybody in the business then worked or moonlighted at various stock libraries, and they were purchased by Seely and his co-producer Ken Nelson at Capitol Records.

In addition, of course, there was original music done for Capitol, and here, or "HARE", is where it gets more confusing:

A number of different composers-George Hormel, Jack Cookerly, Emil Cadkin, John Seely, Bill Loose, Joseph Cacciola, Spencer Moore, and Seely's successor Ole Georg and such later names as Ib Glindemann were credited writers,but even more----people NEVER credited for some of those. Among those was some A listers-- such as David Rose!!!!

Yes, the same one who once married Judy Garland and made all those records!.Mr. "Holiday for Strings" and "The Stripper" himself.

According to researcher Paul Mandell, from John himself---David Rose had "written them" but was expected and very graciously;y sold them "rights free and composer free" (and credit-free, as I have pointed out.)

Another of those ghost writers was Jack Meakin and there were others. (Meakin became among the more noted, in part for George A.Romero's "Night of the Living Dead")

Still also, John Seely was A-not THE-but A distributor of composer Jack Shaindlin's, and possibly Chappell's and various others on their own labels (the composers mentioned above, though only a few wrote original pieces-and boy, did they EVER!-for Capitol, usually had already written for Sam Fox, or Phil Green's solo composition's for UK's EMI Photoplay, and others that wound up in Capitol's connections, and all of this was RELEASED and LABELED as Capitol Hi-Q.)

Whew! So in short----suffice it to say that the music came from a variety of sources.

To another poster: Well, to be honest, on the music matching up, especially with Milt Franklyn, a lot of the Warner Bros.cartoons made at the time, in 1958, like the previous year's "What's Opera Doc?" that continued to be praised, had music going against the action, and Carl Stalling in the heyday in the pre-1950s years, did it much better.

On Elmer Fudd's voice: Neither Mel Blanc nor the radio character actor responsible for the official voice, Arthur Q.Bryan, is used (nor were Daws Butler or Hal Smith, as was assumed in the 1980s.) As probably is already mentioned in the entry credits and the reviews, comedian Dave Barry (not the current humorist!!) tried the hand at doing Elmer's "wewentwess" :) hunter voice, and did it badly,a admittedly. Another irony, Mel Blanc was the narrator heard briefly.

More on the stock cues, relevant only to this particular short (WB did five others during that 1958 musician strike, and even some other projects like the "Bell Science", using this):

Most of John Seely's Capitol stock music like in the sequence with Mel's narration is from the Dramatic series and adding to the eventual cult status of the library, can be heard (again!) "The Night of the Living Dead" and "MST3K" worthy (Bugs proves himself such by commenting on his stone age counterpart) horror flicks from earlier ("The hideous Sun Demon" and "Teenagers from Outer Space!!").

Incidentally, recognizable stock music is in the second half, though to add to the cartoon's bad reputation, that is where Bugs and Elmer meet-it's the "Eccentric Comedy Suite" by David Rose, which graced many a Ruff and Reddy and Yogi/Huck/Meeces show, and others, contractually credited (see my earliest paragraphs, to John Seely and Bill Loose).

The cues were TC-(ThemeCraft) 201, and 300. And that's TC-202 used on the opening. Those number/letter, and in many cases if variants on a cue was done, an addition letter, codes, were used to personalize the publisher-s there's another stock cue used on this, in "Gopher Broke" and THREE times in "Hip Hip Hurry", two others in the Warner Bros. fall 1958 schedule, L-69 Animation Comedy, credited to Zephyr Records producer Spencer Moore. His partner was the separetly credited George Hormel, who used ZR. (Moore had worked at a few other publishing firms.) No doubt this databse and other reviewers will have more information. I got this from odds and ends, including several music blogs, but this is in my words.

Incindetally, just rememebred, the entry credits for this will have other names, too. So I'll just leave it here.

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