IMDb > Ashes and Diamonds (1958)
Popiól i diament
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Ashes and Diamonds (1958) More at IMDbPro »Popiól i diament (original title)

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Overview

User Rating:
7.9/10   5,604 votes »
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Director:
Writers:
Jerzy Andrzejewski (novel) and
Jerzy Andrzejewski (screenplay)
(more)
Contact:
View company contact information for Ashes and Diamonds on IMDbPro.
Release Date:
29 May 1961 (USA) See more »
Genre:
Plot:
During the German occupation noble, bourgeois and worker's partisan groups lived in peace with another. On the first day of freedom they start to fight each other. In these fights is weaved a most tender love story. Full summary » | Add synopsis »
Plot Keywords:
Awards:
Nominated for 2 BAFTA Film Awards. Another 1 win See more »
User Reviews:
Surely the most mature of the trilogy See more (34 total) »

Cast

  (in credits order) (verified as complete)
Zbigniew Cybulski ... Maciek Chelmicki
Ewa Krzyzewska ... Krystyna
Waclaw Zastrzezynski ... Szczuka
Adam Pawlikowski ... Andrzej
Bogumil Kobiela ... Drewnowski
Jan Ciecierski ... Portier
Stanislaw Milski ... Pieniazek
Artur Mlodnicki ... Kotowicz
Halina Kwiatkowska ... Staniewiczowa
Ignacy Machowski ... Waga
Zbigniew Skowronski ... Slomka
Barbara Krafftówna ... Stefka (as Barbara Kraftówna)
Aleksander Sewruk ... Swiecki
Zofia Czerwinska ... Barmaid Lili
Wiktor Grotowicz ... Franek Pawlicki (as W. Grotowicz)
Irena Orzecka ... Jurgieluszka (as I. Orzewska)
Mieczyslaw Loza ... Smolarski (as M. Loza)
Halina Siekierko ... Puciatycka (as H. Siekierko)
Tadeusz Kalinowski ... Wejchert (as T. Kalinowski)
Grazyna Staniszewska ... Hanka Lewicka (as G. Staniszewska)
Ferdynand Matysik ... Staszek Gawlik (as E. Matysik)
Jerzy Adamczak ... Maj. Wrona (as J. Adamczyk)
Józef Pieracki ... Puciatycki (as J. Pieracki)
Adolf Chronicki ... Podgórski (as A. Chronicki)
rest of cast listed alphabetically:
Juliusz Grabowski ... Musician (uncredited)
Jerzy Jogalla ... Marek Szczuka (uncredited)
Ryszard Pietruski ... Worker in the Crowd (uncredited)
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Directed by
Andrzej Wajda 
 
Writing credits
Jerzy Andrzejewski (novel)

Jerzy Andrzejewski  screenplay
Andrzej Wajda  writer

Original Music by
Filip Nowak 
 
Cinematography by
Jerzy Wójcik 
 
Film Editing by
Halina Nawrocka 
 
Production Design by
Roman Mann 
 
Costume Design by
Katarzyna Chodorowicz 
 
Makeup Department
Halina Ber .... assistant makeup artist (as Halina Turant)
Halina Sienska .... makeup artist (as Halina Sieñska)
Halina Zajac .... assistant makeup artist
 
Production Management
Stanislaw Adler .... production manager
 
Second Unit Director or Assistant Director
Anita Janeczkowa .... assistant director
Janusz Morgenstern .... first assistant director
Jan Wlodarczyk .... assistant director
Andrzej Wróbel .... assistant director
 
Art Department
Marian Kowalinski .... assistant production designer
Jaroslaw Switoniak .... assistant production designer
Leszek Wajda .... assistant production designer
 
Sound Department
Bohdan Bienkowski .... sound
 
Camera and Electrical Department
Zygmunt Krusznicki .... assistant camera
Bogdan Myslinski .... assistant camera
Jerzy Szurowski .... assistant camera
Krzysztof Winiewicz .... assistant camera
Wieslaw Zdort .... assistant camera
 
Editorial Department
Irena Chorynska .... assistant editor
 
Music Department
Filip Nowak .... conductor
 
Other crew
Michal Sosinski .... production assistant
Zygmunt Wójcik .... production assistant
Ludwik Hager .... production assistant (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
"Popiól i diament" - Poland (original title)
See more »
Runtime:
103 min | West Germany:95 min (original: 108')
Country:
Language:
Aspect Ratio:
1.66 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
Citizen Kane (1941) - and Gregg Toland's cinematography in particular - was a huge influence on Andrzej Wajda at the time. Like Toland, the first thing the film's cinematographer Jerzy Wójcik did was convince production designer Roman Mann to include ceilings in all the sets.See more »
Goofs:
Factual errors: Glasses of vodka are set alight which burn for an unnaturally long length of time and with a bigger flame than expected, suggesting a purer fuel was used in the film, such as petrol. Moreover, when the final flame dies (c.41 minutes) no liquid remains in the glass. Only the alcohol content is flammable in any glass of spirit and a residue of water would be left behind with even the very strongest of Polish vodkas.See more »
Quotes:
Krystyna:So often, are you as a blazing torch with flames/ of burning rags falling about you flaming, /you know not if flames bring freedom or death. /Consuming all that you must cherish /if ashes only will be left, and want Chaos and tempest...
Maciek Chelmicki:...Or will the ashes hold the glory of a starlike diamond... /The Morning Star of everlasting triumph.
See more »
Movie Connections:
Referenced in Cinefile: Made in the USA (1993) (TV)See more »
Soundtrack:
Czerwone makiSee more »

FAQ

This FAQ is empty. Add the first question.
21 out of 25 people found the following review useful.
Surely the most mature of the trilogy, 21 October 1999
Author: allyjack from toronto

Surely the most mature of the trilogy; it's certainly the most elliptical and stylistically audacious. At the start, Cybulski is a laidback, coldly cynical assassin who lolls on his back in a field waiting to carry out his latest hit; suffering a crisis of confidence in light of his awakening love for a woman, he flirts with desertion before resigning himself to the demands of his position. His personal journey speaks eloquently to the national trauma, and he's just the most prominent in a complex collection of transition figures, caught on the official last night of the war, now looking forward but not yet able to escape the ravages of war and the attendant moral and psychological confusion, not yet free of potential victimhood (like the mayor's assistant who on learning of his boss' promotion drinks excessively in celebration of his own presumed advancement, but in his disruptive drunkenness kills off what future he had). The ending, intercutting a personal tragedy with the dancers doing the elegant polannaise in the streaming light of dawn, like disembodied Felliniesque figures, perfectly encapsulates the film's mix of toughness and allusiveness.

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Message Boards

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Coat catches fire clive-ihd
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