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Ashes and Diamonds (1958)

Popiól i diament (original title)
Not Rated | | Drama, War | 29 May 1961 (USA)
During the German occupation noble, bourgeois and worker's partisan groups lived in peace with another. On the first day of freedom they start to fight each other. In these fights is weaved a most tender love story.

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Writers:

(novel), (screenplay) | 1 more credit »
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Nominated for 2 BAFTA Film Awards. Another 1 win. See more awards »
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Cast

Cast overview, first billed only:
...
Ewa Krzyzewska ...
Waclaw Zastrzezynski ...
Szczuka
Adam Pawlikowski ...
Andrzej
...
Drewnowski
Jan Ciecierski ...
Portier
Stanislaw Milski ...
Pieniazek
Artur Mlodnicki ...
Kotowicz
Halina Kwiatkowska ...
Staniewiczowa
Ignacy Machowski ...
Waga
Zbigniew Skowronski ...
Slomka
...
Stefka (as Barbara Kraftówna)
Aleksander Sewruk ...
Swiecki
Zofia Czerwinska ...
Barmaid Lili
Wiktor Grotowicz ...
Franek Pawlicki (as W. Grotowicz)
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Storyline

Maciek, a young Resistance fighter, is ordered to kill Szczuka, a Communist district leader, on the last day of World War II. Though killing has been easy for him in the past, Szczuka was a fellow soldier, and Maciek must decide whether to follow his orders. Written by Kevin Dorner <mrkevvy@pathcom.com>

Plot Summary | Add Synopsis

Genres:

Drama | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 May 1961 (USA)  »

Also Known As:

Ashes and Diamonds  »

Filming Locations:

 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (original: 108')

Sound Mix:

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

The entire film takes place over two days, May 8th and 9th 1945. See more »

Goofs

Glasses of vodka are set alight which burn for an unnaturally long length of time and with a bigger flame than expected, suggesting a purer fuel was used in the film, such as petrol. Moreover, when the final flame dies (c.41 minutes) no liquid remains in the glass. Only the alcohol content is flammable in any glass of spirit and a residue of water would be left behind with even the very strongest of Polish vodkas. See more »

Quotes

Krystyna: So often, are you as a blazing torch with flames/ of burning rags falling about you flaming, /you know not if flames bring freedom or death. /Consuming all that you must cherish /if ashes only will be left, and want Chaos and tempest...
Maciek Chelmicki: ...Or will the ashes hold the glory of a starlike diamond... /The Morning Star of everlasting triumph.
See more »

Connections

Featured in Zomergasten: Episode #20.3 (2007) See more »

Soundtracks

Czerwone maki
(Red Poppies) (uncredited)
Music by Alfred Schütz and lyrics by Feliks Konarski
Performed by Grazyna Staniszewska
See more »

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User Reviews

 
some people have to change roles
4 July 2007 | by (Portland, Oregon, USA) – See all my reviews

At its most basic, Andrzej Wajda's "Popiol i diament" (called "Ashes and Diamonds" in English) may seem to be a look at where Poland would be going after WWII ended. The plot involves young Maciek Chelmicki (Zbigniew Cybulski), who has helped expel the Nazis from Poland. With the Soviet Union now taking over the country, he is ordered to shift his allegiance to them. Through Maciek's acquaintances with communist leader Szczuka and barmaid Krzystyna (Ewa Krzyzewska), a potentially explosive situation arises.

If you know nothing about how the movie got made, this seems to be the whole purpose. But there are other points. In a mini-documentary about the movie, Andrzej Wajda and his collaborators explain how the novel on which the movie is based had Szczuka as the main character. Wajda not only moved the focus to Maciek - and gave him sort of a James Dean look

  • but also stressed the scene where Maciek talks with the man who


fought in the Spanish Civil War. Apparently, fighting like the man did is a Polish tradition. Therefore, the film likely appeals to the Poles in almost every way; the perfect Polish movie, if you will.

Although I've never seen any of Andrzej Wajda's other movies - hell, I'd never heard of him until the Academy Awards gave him an honorary Oscar - I staunchly recommend this one. One can clearly see how he used the movie to subtly challenge the Soviet domination of his country (of course, they couldn't openly say anything against the USSR). Poland's pro-Soviet government had approved the movie, but didn't want to let it outside Poland. Wajda got some people to smuggle it out of the country, and it reached much of the world. Probably the most amazing scene is the end. I won't spoil the end, but I'll note that blood on a white sheet looks a bit like Poland's flag (a nationalistic statement).

All in all, a great movie. Andrzej Wajda has every reason to be proud of it.


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