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Popiól i diament (1958)
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Overview
User Rating:
Release Date:
29 May 1961 (USA) morePlot:
Maciek, a young Resistance fighter, is ordered to kill Szczuka, a Communist district leader, on the last day of World War II... more | add synopsisAwards:
Nominated for 2 BAFTA Film Awards. Another 1 win moreNewsDesk:
From 1922-1979: Get Your Film School Starter Pack Now(From Rope Of Silicon. 23 November 2008, 10:07 PM, PST)
User Comments:
Electric moreCast
(Cast overview, first billed only)| Zbigniew Cybulski | ... | Maciek Chelmicki | |
| Ewa Krzyzewska | ... | Krystyna | |
| Waclaw Zastrzezynski | ... | Szczuka | |
| Adam Pawlikowski | ... | Andrzej | |
| Bogumil Kobiela | ... | Drewnowski | |
| Jan Ciecierski | ... | Portier | |
| Stanislaw Milski | ... | Pieniazek | |
| Artur Mlodnicki | ... | Kotowicz | |
| Halina Kwiatkowska | ... | Staniewiczowa | |
| Ignacy Machowski | ... | Waga | |
| Zbigniew Skowronski | ... | Slomka | |
| Barbara Krafftówna | ... | Stefka (as Barbara Kraftówna) | |
| Aleksander Sewruk | ... | Swiecki | |
| Zofia Czerwinska | ... | Barmaid Lili | |
| Wiktor Grotowicz | ... | Franek Pawlicki (as W. Grotowicz) |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
103 minCountry:
PolandLanguage:
PolishColor:
Black and WhiteAspect Ratio:
1.66 : 1 moreSound Mix:
MonoFun Stuff
Trivia:
Because of the film's nihilistic tone, the Polish authorities were not keen on it being exhibited outside of the country. Until a low-level official had a print shipped out to the Venice Film Festival where it played to great acclaim. moreGoofs:
Continuity: In the scene where Maciek is running away from Drewnowski and then the Russian soldiers, a train above them passes by. In one shot it is going to the left of the screen. Then in the next shot it is going to the right, then to the left again. moreFAQ
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I've seen this movie only twice, stumbling across it the first time in a theater in Skopje, Yugoslavia, and I left the theater almost in shock. I'd never seen such a combination of direction, editing, cinematography, and acting. (That business about Cybulski being "the Polish James Dean" is disregardable nonsense; like saying that Chopin was the Polish John Phillip Souza.) Wajda's other films didn't seem so impressive, but "Ashes and Diamonds" was simply superb. The images linger in the mind, even now, when artiness has become commonplace. The shattered crucifix hanging upside down; the final chase through the drying laundry; and Cybulski on his side, kicking himself around in circles atop a heap of garbage! It wasn't simply thought provoking, it was shocking. I can only remember one other time I felt stunned into silence on leaving a theater, and that was in LA after the first Bergman film I saw, which happened to be "The Seventh Seal." Don't miss it.