In California, an old man (Bela Lugosi) grieves the loss of his wife (Vampira) and on the next day he also dies. However, the space soldier Eros and her mate Tanna use an electric device to resurrect them both and the strong Inspector Clay (Tor Johnson) that was murdered by the couple. Their intention is not to conquer Earth but to stop mankind from developing the powerful bomb "Solobonite" that would threaten the universe. When the population of Hollywood and Washington DC sees flying saucers on the sky, a colonel, a police lieutenant, a commercial pilot, his wife and a policeman try to stop the aliens. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The Old Man walks into the street and we clearly hear him get hit by a car, but his shadow is still on the ground. See more »
Greetings, my friend. We are all interested in the future, for that is where you and I are going to spend the rest of our lives. And remember my friend, future events such as these will affect you in the future. You are interested in the unknown, the mysterious, the unexplainable. That is why you are here. And now, for the first time, we are bringing to you the full story of what happened on that fateful day. We are bringing you all the evidence, based only on the secret testimony ...
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First of all, how could a film that has brought so much enjoyment to so many people be called "the worst film ever made"? I have seen major Hollywood products with major Hollywood stars and some of these films are impossible to sit through even once. "Dick Tracy" comes to mind, as does "Caligula." The very first time I saw "Plan 9" in a NYC revival house, just hearing Tor Johnson's struggle with English pronunciation and watching him wriggle out of the ground was worth the price of admission! It was probably the hardest I'd laughed in a movie theatre in many years. I don't know what kind of movie the actor who plays Eros thinks he's in, but he seems to be having a lot of fun. We all know that the comedy of the film was unintentional, then why do we laugh? We laugh because Mr. Wood does everything conceivable to mask his non-budget to give the illusion of a grand sci-fi-horror epic. And he does it with such unabashed gracelessness with so little concern for time continuity or any other kind of logic, that we laugh at just how absurd the medium of film can become, if used in incompetent hands. Ed Wood gives new meaning to the word "schlock." The cinematic legacy he has left to enjoy should be called "pop-schlock." If the point of the film is to ultimately entertain, this is one of the best films of all time, not the worst.
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