In California, an old man (Bela Lugosi) grieves the loss of his wife (Vampira) and on the next day he also dies. However, the space soldier Eros and her mate Tanna use an electric device to resurrect them both and the strong Inspector Clay (Tor Johnson) that was murdered by the couple. Their intention is not to conquer Earth but to stop mankind from developing the powerful bomb "Solobonite" that would threaten the universe. When the population of Hollywood and Washington DC sees flying saucers on the sky, a colonel, a police lieutenant, a commercial pilot, his wife and a policeman try to stop the aliens. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Although trade publications announced the movie's general release in July 1959, distributor DCA had already made prints available to cinemas from June 1958 onwards, with the film playing on regular movie theatre bills in states as far afield as Maryland, New Mexico, Ohio, Rhode Island and Texas during the 13 months prior to its supposed "general release". See more »
The grass wrinkles and the gravestones flap in the wind and topple over. See more »
Greetings, my friend. We are all interested in the future, for that is where you and I are going to spend the rest of our lives. And remember my friend, future events such as these will affect you in the future. You are interested in the unknown, the mysterious, the unexplainable. That is why you are here. And now, for the first time, we are bringing to you the full story of what happened on that fateful day. We are bringing you all the evidence, based only on the secret testimony ...
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This is one of the best of the worst films of all time. When viewed with the right mindset it never fails to entertain. Poor production values, terrible acting, worse directing, and dialog that has to be heard to be believed, combine to create a cinematic gem.
When speaking of bad movies, it is important to understand what is meant by "bad". There is good bad, and there is bad bad. Bad bad is a movie that combines all the elements listed above--bad acting, bad directing, etc.--to produce something that bores. Good bad combines the same elements in such a way that a highly entertaining movie is made, although not in the way the movie makers hope.
"Plan 9" is not just good bad, it is brilliant bad. It is unintentionally hilarious, and that's as funny as it gets. This is a movie that has absolutely no redeeming qualities. Everything about it is bad. When George Romero made "Night of the Living Dead" he did it on the cheap, but still produced a film that was intense, scary, and had a point. "Plan 9" is nothing but bad, albeit in a wonderful way.
As an example of bad production values, there is a scene where a police car is speeding away from headquarters. As the action begins it is broad daylight. The next scene is the car racing across the city. Now, however, it is night! Next is the car arriving at its destination, a cemetery, and again it is daylight. That is either one huge city, or somebody on the Plan 9 crew was asleep at the switch.
"Plan 9" is so full of great badness that to detail all the goofs, flubs, and cheesiness would require remaking the entire movie. The cemetery is a weed-infested lot; an airline cockpit set is a shower curtain, some plywood and a couple chairs; a cop scratches his head with the business end of a gun barrel; the outside of the space ship has a ladder that goes nowhere; the plan itself, that is, plan number 9, makes no sense at all. And on and on and on...
If you love movies, and want to consider yourself conversant in all genres of film, seeing at least one bad sci-fi movie is a must. "Plan 9" is the Hamlet of that genre. See it with a couple people who get it, and have a great time.
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