Rodolfo and Petrita each live in separate quarters in dilapidated Madrid, while looking to have a little apartment (or "pisito", in Spanish dialect). Unfortunately their low salaries ... See full summary »
As rumors reach them that the Allied armies are advancing on their concentration camp at Buchenwald, Polish prisoners renew their feeble hope for survival and freedom. When a group of ... See full summary »
This documentary celebrates the 100th anniversary of the cinema birth. It is an historic running through the technical and artistic evolution of the 7th art. We move from mute to sound, ... See full summary »
Rodolfo and Petrita each live in separate quarters in dilapidated Madrid, while looking to have a little apartment (or "pisito", in Spanish dialect). Unfortunately their low salaries prevent them from acquiring one. Soon, Rodolfo's co-workers urge him to marry the old and frail Doña Martina, who is the main tenant in the apartment he boards in. According to Spanish rent-control law, he could inherit the lease from his spouse. Thus begin his misgivings and Petrita's. Written by
Obviously, the sarcastic statement made by Vazquez Montalban twenty years ago is by no means true, but when comparing recent Spanish film productions to some of the oppositional masterpieces shot during the 50's and 60's one feels tempted to believe it.
El Pisito is a caustic criticism on the hardness of lower classes everyday reality in the fifties francoist society. It rawly portrays the infrahuman conditions in which people were forced to live (whole families inhabiting a single room of a crowded apartment) and the perverse struggle getting by in such conditions was, but, instead of imitating the Italian neorealist melodramatic mood to search the compassion and solidarity of the spectator, the material is presented from satirical perspective based on the Spanish theatrical style of "esperpento" (plays that mocks national traditions through the employment of emphasized grotesque features). This way, the choral protagonist of the film (there's a predominance of long cuts framing groups of people, sometimes carrying out simultaneous actions)is shown closer to an animal than a human being in a chaotic urban jungle where everything is permitted, causing distancing in the audience.
For this task, all the actors are just great, creating great doses of black humour; but, avobe all, Jose Luis Lopez Vazquez proves to be one of the best actors in Spanish cinema, brilliantly performing that henpecked boyfriend always conducted by someone else's will like a poor puppet.
In sum, this movie is a must see for anyone interested in Spanish cinema and culture (mandatory for fans of Alex de la Iglesia's oubvre) and lovers of intelligent and bitting humour.
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