Lawyer Thomas Farrell has made a career defending crooks in trials. He has never realized that there is a downside to his success, until he meets the dancer Vicki Gayle. She makes him ... See full summary »
When he sustains a rodeo injury, star rider Jeff McCloud returns to his hometown after many years of absence. He signs on as a hired hand with a local ranch, where he befriends fellow ranch... See full summary »
Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
A commander receives a citation for an attack on Rommel's headquarters, which is actually undeserved as the commander is unfit for his job. On top of that, unbeknownst to him, his wife is having an affair with one of his officers.
Hard, withdrawn city cop Jim Wilson roughs up one too many suspects and is sent upstate to help investigate the murder of a young girl in the winter countryside. There he meets Mary Malden,... See full summary »
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the ... See full summary »
Susan is in the hospital with a bullet near her heart. Marian has told the police that she shot Susan in a rage as Susan was giving up singing. Marian and Luke found Susan when she was a ... See full summary »
Lawyer Thomas Farrell has made a career defending crooks in trials. He has never realized that there is a downside to his success, until he meets the dancer Vicki Gayle. She makes him decide to get a better reputation. But mob king Rico Angelo *insists* that he continues his services. Written by
Director Nicholas Ray was certainly impressed with Robert Taylor's commitment. "He worked for me like a true Method actor," said Ray, who remembered Taylor going to an osteologist, poring over X-rays and asking probing questions so that he would have an understanding of where in his body the pain would be from his character's crippled leg. See more »
Although set in Chicago in the early 1930s, the fashions and hairstyles all reflect the 1950s. See more »
Only a man... how do you do it Vicki?
I made up my mind a long time ago, never get crowded into a corner. Never let them get too close. After awhile, they go away.
You've never been in their corner, with your looks?
Just once. In a dark and dirty little barn back home in Oklahoma. I was fifteen. Very romantic.
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Opening credits prologue: Chicago In The Early Thirties See more »
Interesting movie. Very interesting, though the title is inexcuseably misleading. Nicholas Ray directs and, not surprisingly, makes novel use of shadows, bold colors and wild camera angles. There is a bravura montage of an explosion of mob violence which is sudden and startling. Ray, best known as the director of "Rebel Without a Cause", takes a smart, tough script and; unlike many crime movies which contain similar ingredients but fail to resonate, gives the movie a soul. There's something about its tone and feel, some simmering menace and creeping regret that reminds one of another mob movie which would be released 15 years later: "The Godfather". And as in that classic, the Lawyer/Mob Boss relationship is complex and fascinating.
While much of the credit deservedly goes to Ray's maverick methods and genius, the cast is also very good. Robert Taylor never developed the kind of easily identifiable screen persona of a Bogart or Jimmy Stewart, but he was a sturdy leading man who usually served the material and could be depended upon to anchor a film. He pours his heart into this part, his last as an MGM contract player. Cyd Charisse was never known as a great actress but she is capable in her role as a feisty Show Girl, and she gets a good opportunity to show off perhaps the most eye-popping, perfectly sculpted figure in the history of motion pictures. And of course, nobody was better at playing hot-tempered thugs than the great Lee J. Cobb.
Turner Classic Movies is such a goldmine. It's so satisfying to see movies, such as this one, that know how to introduce plot points and convincingly tie them up and bring things full circle. "Party Girl" may not be quite a great film, but it is very, very good.
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