Paul Gregory is sprung from jail in London by his accomplice after getting a stretch as expected for robbing a woman who falls for his charms. Only he knows how to get to the money, but his...
See full summary »
After yet another smash-and-grab goes wrong, a bungling trio of small-time crooks flash an idea of using a fire engine as a getaway vehicle. But they keep being mistaken for genuine firemen and it starts to become a flaming nuisance.
Young Elizabeth is left with her relatives, a married couple, while her mother is in hospital. The friendly husband likes her, but the wife hates kids. Her father, an often absent crook on the lam, visits her in secret one day.
Ellen Wheeler, a rich woman, is recovering from a nervous breakdown with the help of her husband and a good friend. One day, while staring out the window, she witnesses a murder. But does ... See full summary »
Brian G. Hutton
Michael Marler, a successful business man in London, is about to make his way to the top. The death of his father brings him - after 37 years - back to his hometown Liverpool, where he is ... See full summary »
Lilita De Barros
Paul Gregory is sprung from jail in London by his accomplice after getting a stretch as expected for robbing a woman who falls for his charms. Only he knows how to get to the money, but his partner is getting greedy and as things turn sour Gregory finds that home in Canada is a long way away. Written by
Jeremy Perkins <email@example.com>
Normally hairy-chested George Nader was forced to buff his torso for the bathtub sequence. See more »
When Paul Gregory looks down on the farmhouse from the hillside shelter, the sun shines directly on his face. However, the shadows at the front of the house indicate that the sun's position is different. See more »
If this film had been made in 1950s France by directors named Clouzot or Melville, this Ealing production would be a regular on the revival circuit and in film school classrooms. Sadly, it's a completely unheralded film. Directed expertly by Seth Holt, who co-wrote the film with critic Kenneth Tynan, the film features an on-his-way-to-Europe George Nader as an American con man in London, looking to score by stealing a valuable coin collection (the owner is played by American expatriate and silent film star Bessie Love). His companion in crime is the docile but dangerous Bernard Lee, and there are double crosses and dirty dealings aplenty. The star of the film is Paul Beeson's amazing cinematography, always artistic but never too showy. Beeson also did sterling work for Ealing's The Shiralee (1957), and it's hard to understand how his career ended up on Harry Alan Towers scrap-heap. Dizzy Reece's outstanding jazz score (his only film work) fits the story like a glove and Maggie Smith makes her film debut as Nader's love interest. This is a great film and a true work of art.
44 of 48 people found this review helpful.
Was this review helpful to you?
| Report this